What lies ahead

Sun lifting the veil of purple sky-

might bronze forge strength

pungent as the turned dirt?

Thirsting through 

exposition, hide and seek,

those are lost and winding back 

around-

those that reap

shall be held against the light

shall cast atonement into the shadows-

thou shalt be measured against the day.

All ways an arm's length

a way-in every direction

aimed 

this focus spares no details 

no enunciation of echoes

when molding bodies

come to day with arsenals

of color intended to define us

by just what they had

known and felt 

against all alchemy

made from the excesses,

there was the sky 

with directions. 

Painting by Maksymilian Gierymski c. 1869 in [Public domain], via Wikimedia Commons.

Binding bed

Sought intimate spaces

for self-

lost private places

for nurturing health.

Grew weary with waning

insistence,

wilted and arid, the stem

aches with thirst

the worst exposure

to lunar light

this side of mourning

the death of circus dreams.

It seems the sun disperses

its golden dust

according to an architecture

of ideal.

Beholden to the barriers molded

by hand-

curses stand as they must, in spite of us

for a time.

As last

sunsets free

the stars, placing winking faces

astronomical units apart

and fixed on never being

yours or mine.

“Our tendency to build walls is useful only to provide a starting point for self-definition, walls that contain the bed in which we are born, in which we dream, we breed and we die; but outside the walls lies Siddhartha;s realization that all human beings grow old, all are prone to nightmare and disease, and all must ultimately come to the same implacable end. Books endlessly repeat that one same story.” (“The Library at Night” by Alberto Manguel p. 229)

Artwork by Evelyn De Morgan, 'The Prisoner' c. 1908 in [Public domain], via Wikimedia Commons.

Social security

Unless you were born
a boy
with silky chestnut hair
shaped like a perfect bowl of soft wound thread
nested as in a kitten ball
atop an angelic head dappled with
a sole magic dimple under the high arched
cheekbone amidst
perfectly placed and sized features,
jawlines of a steed,
eyes of witches hazel,
long indulgent black lashes,
long limber legs, strong steel shoulders
broad aspirations
long ago,
No-
you will not be chosen
as the one that was
a man for all ages
a perfect fit,
the right breed,
hand(y)some or skillful.

The rest shall be
Employees.



Painting by Benjamin Haydon [Public domain], via Wikimedia Commons.

All ways equals Why

Because we discuss our collective fate along with current weather conditions,
because we attribute the excessive bloom of flowers to wild fires and trained bombs,
because we consider patterns relevant to us, Alone gathering anthropo-scenic views called 'experience'
because we started it all and made it bigger than we imagined we could
not manage to consume but tried with busyness, settling more acreage of earth piling up with paranoia than non-
biodegradable trash and we will ask about plastics as in permanence as if this was a Thing-
How did we get so scared of Being wrong, or Right or Just being?
Because we were starving but could not manage to eat another morsel of information,
GMO, TMI lined with BPA and other sterilizers, for safety.
We felt tired, too precautious and nauseous but forced to moved on.
Because none of us saved our energy for ourself,
because the reasons were not lining up, or justifiable by reason,
because these many motivations made centripetal mirages of us
we had nothing left
but the thinnest hope
to collapse into a wave function and recognize our own ripples.




Image By Henry Peach Robinson (British, 1830 - 1901) (1830 - 1901) – photographer (British) Details of artist on Google Art Project [Public domain], via Wikimedia Commons.

The last volume

This last couple of pages 

I have edited quite impartially and frankly

heartlessly or as autonomous as could be 

anyway,

and I mean that in a most familial way.

This closing volume,2017 in the year XLI

much was burned,

including bridges and outback structures,

dilapidated and in need of wildflowers

after all these years of standing 

and resisting color.

This is why some things remain

and others leave no trace.

There was once a line,

or anchor

I cut

this year.

To say only the most necessary things,

required no speech or recapitulation

of histories and books burned all the way 

through to The End. 

Painting by Yehuda Pen [Public domain], via Wikimedia Commons.

l's and o's

It had been many revolutions
of a circular orbit
since the scribe had a
handle on things.

In such rapidly spinning
vertiginous times, you know
how hands go up
and loose things fly off.

It was still
that way,
the empty cavernous pages,
the sunken and smudged knuckle,
the barren creased hand
that holds a space
for words to line up with others,

and it won't happen today.
Again, the scribe refused
to record a statement,

for there was nothing left in the hourglass-
in the water pitcher-
in the ink cartridge-
in the world
to turn around
clockwise.

Undeterred, scribe scribbles through the days
of notation and inventory
until all is spent and broken with
vocabulary and slang pronunciations.

For the construction of solid thoughts and building
nations, do not rely too heavily on the current degrees
of angular trajectory
or wishes without a final destination.

The lines all disappeared, finally
nobody waited around to hear
the words that came before
Here, here
the echo never said who
I am
scratching the surface with lines none would read.





Image By Creator:Guercino (Giovanni Francesco Barbieri) [CC0], via Wikimedia Commons.

Location³ (Haiku)

Right people in right
places wrong people in wrong
places, I am both.





Painting by Yeghishe Tadevosyan, 'The Genius and the crowd' c. 1909 in [Public domain], via Wikimedia Commons.

(H)ours

He took all the credit for green lights and always finding just the right words,

simply sitting there waiting for him, dutifully, right

where she left them.

He had a knack, he knew shortcuts.

Her mind went both ways,

of him, to her, for him, for them and then

perhaps she never said it in the first place,

since it was always his ideas

that she will be thankful for later.

There is a debt to be repaid for a life saved,

there is monetary value in a useful thing,

and a proper place 

she had never seen,

until he showed her the way

and locked the door on his way out

expecting her to be where he left her 

whenever he returns in need

of more perspective, flavor and wit.

But one day she was gone.

He found her 

empty of all things, she was smiling

with a faraway stare

and he felt anxious about his loss

not knowing any more about keeping places and sharp turns of phrase. 

Painting by Frans Hals, 'Portrait of a Man' c. 1650 in [Public domain or Public domain], via Wikimedia Commons.

Warming up in the arena

The arena is oval
intentioanlly making

the full circle of time
longer
to come back around.

And again, there she was
propped on top 

of the highest hill
and I, as usual, 

stood down on
the slope to the sea.

We smelt smoke
simultaneously
lifted noses and sought out the source
at the same time
the lighting changed 

at once, dramatically.

The sun, abased,
hid his face,
and then ashes fell in fat white flakes
resembling a December snowfall.

The chimes rang in the festivities,
discarding suddenly
the carols for a cacaphony.
Twas an ode to Saint Ana, played
in her lowest latitiude
in lieu of Saint Nick
from the shrill Northmost pole.

And again,
it was watching the horses
that knocked the wind out of me.
I found myself suddenly breathless,
trampled and tethered to death-again
it was familiar, like a rerun of hooves

and clapping.

Under a change of directional
winds, the brittle atmosphere
carried things this way

on a warm winter day.

Amid the sea of grey, the longshot,
made a circle of gates

sent forth as smoke signals and 

red flags at the finish line.

One time we will learn
it is by noses alone
that races are won
or lost.

Photo credit by cogdogblog (https://www.flickr.com/photos/cogdog/2672008614/) [CC0], via Wikimedia Commons.

Green stone fruit

If you eat an avocado in Italy,
genetically
it is a relative of a Calvino.

Italo's father brought the stone fruit
to the region first.

I have driven the California coastline
more times than I have had birthdays

and often I like to pretend I am somewhere else
among the rolling vineyards, to pasture with the

grazing livestock, and edged in by jagged cliffs that
plummet into the cold sea,

like somewhere in Italy,
right now I know

it could even be me,
eating avocados off the tree.




Image credit by Googsey at English Wikipedia (Transferred from en.wikipedia to Commons.) [Public domain], via Wikimedia Commons.

FourFiveTwo: with scales

Greed is the creature with scales
that dwells in the darkest depths
slithering so easily around Humility
and longing for longer legs,

And with the sharpest tongue, cuts itself
and coils tight to stop the bleeding
that tension sutures and dies blue red faced
that fire would also feign

I too, have heard the low-lying rattle
and been prey to leers from low in the fallows
yet, always, a path broken
gives every thing away.




Artwork by Arthur Rackham [Public domain], via Wikimedia Commons.

What is:Mine

Ashen sky, late hour

we embers smolder low red

settled in the coal.

Painting by Frank Bramley, 'A Hopeless Dawn' 1888 in [Public domain], via Wikimedia Commons.

Thirteen billion miles

First, ask yourself-
is it interesting
or worth further exploration?

Truly we are Voyagers.
This generation of seekers
has reignited
a flame.

Now, put a price tag on 'Time'
or light years-
A full moment is three seconds
or pennies in hypotheses-
how much Life
you are allotted in diurnal
years of Julian speed,
minus eleven minutes
and some fragmented seconds
may be written
in a single sentence.

Told we should learn
to figure things out for ourselves,
memorize how to hibernate
for the future.
And it is wise advice
for one and all solid bodies
traveling through space
at this terminal velocity.

I wonder if gravity waves
make white noise as they ripple
or only when they crash...

Some say,
Exile is a death, a geographical terminus.
Knowing one's history is written
over, like footprints and
now traveling under someone else's shoe.

But if I have something endless
enough to keep me fully
occupied;
a tree, a rock, water, or the sky-
time does flutter a lot
like Hope.

At last,
I ask myself,
after every sentence has been read,
is this an interesting enough
equation to try
to solve?




Photo By NASA [Public domain], 'Farouk El-Baz, Ronald Evans and Robert Ovemyer via Wikimedia Commons.


NASA reported on December 1st, 2017 that the rocket thrusters on the space probe Voyager 1 responded 13 billion miles away in interstellar space.

The night that the Accountant

The night that the Accountant figured out poetry
was a simple story
about a man and a woman
and the stories they tell
each other-
About
who should and who should not
discuss poetry,
since there is no GAP
in poetics or likewise, alibis.

I told him a story about a poem
that was a story
I made up,
I was never really there.

He said, 'Of course it wasn't true.
Being pushed off a bridge was just a
metaphor-
for what-
I don't exactly know, but if I know you,
it was a feeling
you felt that day.'

I confessed
it was true, all of it.
I could have jumped.
He understood
more poetry
than he ever could have
accounted for.

Along this
line lying between non-and-fiction,
a subtraction connects us.
And we reconcile our difference
of opinions in between
heads and tales
black and read
to solve all word problems.




Photo credit by Mathew Brady, Long Bridge, Washington, D.C. in [Public domain], via Wikimedia Commons.

With the worms

Shaking off his jacket
spotted with purple dots of dew,
he unfurls his wings
and dashes off
to a new perch
higher up.

In the insistent rising sun
my head and shoulders form
an opposition,
casting shadows on
soft golden blades
rooted underfoot.

Stirring begins from the ground
where settled matters to-day
such as History and alternative pathways,
are made with each step one leg takes
at a time
to make movement or progression
of orbit

in order
to get there
only to see the selfsame shrinking
without feathers, but by a hair
and blunted nose not pointed beak.

This is sharp steel light
severing the warm body
from the sound mind.

A murmuration demonstrates
the reason
for gathering
our resources
but taking them
lightly.





Painting by Léon Bazille Perrault, 'The Bird Charmer' 1873 in [Public domain], via Wikimedia Commons.

Round the bend

At this time
change felt like the fog rolling in
and when driving into the road mirage
and not hitting a thing-

in a blur that stranges the familiar,
stretches out time a little
like a band,
rubber or air-the change

lingered heavier than mist,
more solid than virga,
icy in all the same clear ways that
when you try to cut it out

from what was always
called Now I am-
like routine and rut,
running along the edges fray,
more than decor, drapery, or flax
like flux, anticipated
or a natural change
of season.

It could have been
Only that-

At this time,
comforts naked shoulder
cooled in the exposure,

where same,
felt somehow strange
like never before.





Image credit By U.S. Fish and Wildlife Service [Public domain], via Wikimedia Commons.

Thirteen ways of holding one's breath

I

Thru metamorphosis, emergence of

butterflies and frogs, spread and span

red cheeks, the gymnastic belly below

sticks it with

loins lurching

in love

untold dreams discontent 

unwonted wishes, woos and woes,

it comes and grows

infectious.

II

Heavy is the moment-

He is gone,

gone, gone, gone

Gone.

Generations gone by 

that beget her, 

forget her, the family moves on.

A casket, a Triscuit, 

another he dropped it,

and I put it in my pocket.

It is still there, in my jacket,

old as it is, new every time.

He was…

III

The spider, the car trouble, the anger,

the appliances, the curses,

the denial of utterance

which makes it so

makes it so,

laughable

as a bad day, a bad life, a stroke

of bad luck, 

against the odds

I would survive,

still born

dead. 

IV

All in. Cleared the accounts.

It has to happen now. 

It will be, what will be, it will,

still there remains 

doubt in the dregs.

V
Remind me:

You were never about you

were about them never being 

about you being you, or just you

and not them. They needed you

to be. You knew them before you

knew you were just being 

about them needing you needing 

them to be about being themselves and

not you being yourself to be by 

themselves, not you, being by yourself,

which would mean the end of you,
remember-

VI

Sow seeds are the things with feathers.

No, germination was more gentle.

Like television, what harm? What’s on? 

That’s always on.

And on lines, tapped for groundwater, mineral

rights and tracking cookie crumb trails,

I was being watched. 

I was being stalked, like prey, today.

A seed has been sown.

Murder,

she wrote, consumed him 

of her. 

VII

The same thing is

The same thing is

not 

the same thing is 

the same thing in

sanity.

VIII

Poison is in the food

poison is in the fear,

the body shrivels

the body resists

itself

healing.

IX

What has been done? What did you do?

About that-

Excuse us, excuses us,

in liberty, for just us,

to wait and seek happiness

coining it as pursuit

of private pleasures and 

philanthropic altruism,

we donate dirigible good

deeds, after our needs

have been met 

and mingled with resistance.

X

Go. I will 

meet you 

over

there.

XI

The next phase of the moon that wanes

knows how the shadows will fall 

before the darkness sets us in place.

XII

From inside the cave, gasping for air,

before light, 

unafraid of the burn, the yearning to yell

grips the mouthless beast 

hidden herself and longs to fill her lungs

with sound of feeling and exhale 

the pungent stench of death that goes

unheard,

the beast falls and the volcano erupts

with more of itself. 

XIII

If the sky holds you,

you will be carried

the rest 

of the Way.  

Inspired by Wallace Stevens poem "Thirteen Ways of Looking at a Blackbird"

Painting By Alexander Mann (1853–1908) (oil on canvas) [Public domain], via Wikimedia Commons.

In our places

In winter it is warmest
in the pale sun
and under your light,
even behind the dark glasses

your eyes smile bright
while we talk softly,
without effort
the breeziness knows

understanding the sky
without words
needing to hold us up
against our own presence.

Placed here, like so,
sharing tastes and sounds,
noting the harmony
we share by proximity

and savoring alike. I know
you know, it takes two
to not let go
with one glance,

promise me
one day-
seasons will allow
a change-

when we lift our eyes
holding out hope
over all others
like this

there was no need to explain
how a line catches
all it can tether
together in one sky.



Painting by Johan Christian Dahl, 'Winter at the Sognefjord, February 1827 in [Public domain], via Wikimedia Commons.

Explain yourself

The words were all too long,
became easily tangled and how I kept
pulling at what I thought was an end,
pulling, pulling, pulling, and
thereby taking too much
out of me
the body became barren.

What was understood as a major shift
of power, in direction or by time constraints,
was the anticipated and alternating current
as in that way
opposition acts by force.
Listen, it was my fate,
or decision
to do or not to do.

Small acts, even one
may be a miracle,
after all
this, one thought, one
surviving-

the risks were all there, caution was
issued too. Accuse, dismiss and relish
the sound of ones voice,
and how it comes out, represents
the avatar or holographic image
taken at the ideal angle
or time.

We were all Free
to walk around and not utter a word,
or like me, never give thoughts away with
dignity,
to light, to mind, to mouth, to hand
and inevitably, words were dying.
The Words
were writhing and gasping for shape,
despite the hand that rushed
along-

Definitions, unlike synonyms
carry want and need, unable to
extract and dilute the difference
between
I am and I was.


Painting By Yamashita Shintarō (29 August 1881 to 11 April 1966) [Public domain], via Wikimedia Commons.

likeness

The colors blended
one moment, one thing divides
a-similitude



Painting by Albert Bierstadt, Yosemite, Twin peaks, c.1859 in [Public domain], via Wikimedia Commons.

5:59

Four minutes ago
it was  -My Time-  to shine, rise
above dark valleys



Painting by Claude Monet, 'Haystacks at Chailly at Sunrise', 1865 in [Public domain], via Wikimedia Commons.

Sunrise

And then it sprinkled

not enough to wake any

momentary bliss

You're glowing

Bright burning Aura, Aura!

Night inside of the forest;

Eye or hand, what immortal

fearful symmetry could frame thee?

Skies what in distant deeps

eyes thine of fire burnt

on wings, aspire he dares

Fire what hand the hand dare seize?

Art what, and what art on shoulder

sinews of the heart twist and thy could

beat and beat when thy heart

dread feet, dread hand and what

What chain the-what hammer the-

brain, a furnace twas thy

grasp the dread and what the anvil?

Clasp and dare deadly terrors!

Spears threw down stars

tears water’d with heaven

See him smile at his work?

Thee make the Lamb smile, at making me

maybe?

O Bright burning Aura, Or a

Night inside the forest again:

Nor eye or hand, what mortal

fearful of symmetry would frame thee?

This was an experiment with one of Bernadette Mayer’s Writing ideas (http://www.writing.upenn.edu/library/Mayer-Bernadette_Experiments.html) on mirroring an existing poem, which I did hear (sort of) with Tyger, Tger by William Blake (https://www.poetryfoundation.org/poems/43687/the-tyger)

Image By Fritz Erler, 1897 (Deutsche Kunst und Dekoration) [Public domain], via Wikimedia Commons.

Angel and...

Clean sheets

The poem stared back
at the two pleading eyes

saying nothing
about white or black

nor was any indication given
as to where a poet

should set up thoughts
for the night

with rigging and taut lines
for a reader to traverse across

in high winds
and find their own

-balance-

if the stanza is strong enough
to support mass tourism

and photography.

If you look long enough
or blur your eyes

an Image develops,
what comes through

was over-exposed, covered
with a starch of pareidolia

it was still safe enough
to be considered
shelter.






Painting by Désiré François Laugée [Public domain], via Wikimedia Commons.

Agendas

It was never about the invention and the potential

Lives it would save,

It was about who would be written into History as the Hero.

Humphry Davey tried to hide his poetry but stole the lamp.

All for naught, while I sat in the reader's circle, stitching

around Cat’s Cradle-the Dissertation,

and  getting into mining

text instead of ice-nine, we found something like 

fire-ten

and it is spreading.

They were all over the place, Vietnam, Silicon Valley,

East and west coasts, away from the story 

and as Vonnegut said,

Disappearing up its own-

Never-mine-

The kids are still mining for cobalt in the Congo.

No, no, no better. In any language

even with repetition. When does practice make

better-off schadenfreude

Karma is driven toward the one who hit my car 

and drove away.

The grandma laughs at the puke from her grandson.

That makes her son puke too,

and she gets her just desserts 

in between the seats.

We both like the smell of horse manure. 

Italo is easily distracted at first, every day, I should stop 

feeling “death hath undone so many”*.

“In headaches and in worry, 

Vaguely life leaks away

And Time will have his fancy

To-morrow or to-day”**, as Auden would say.

Of course, the dryer refused to spin,

the bills keep pouring in, and there are two-thousand

nine-hundred synonyms for drunk, but sober I remain

loaded on the sole adjective, waiting on the verb

of Time. 

Meanwhile, inspiration is found in flying buttresses, 

among the changing sky, ribbed vaults and pointed arches 

that withstood thirty percent more stress.

Oh yes, it was time again

to act as if one never knows

how things come together.

*T.S. Eliot and **W.H. Auden

Painting by Frank Dobson, 1944 [Public domain], via Wikimedia Commons.

Sans compunction

No point. No point at the end.

How do you know you are there-

Where?

At the end, I don’t.

(In)³-8

And is it Close or Close? Close.

As meta for unraveling also ravels.

Breathe. I forgot what inspired me.

If used, it still possesses zero dimensions:

Does it matter if there

Or here, or Not? I appreciate the white

                                               Space(s) left by you...

As in, moving targets that spin

seem still, hazy-but fuzzy was her favorite.

How do you know when it is done,

Or the piece is a settled preposition?

Just to suppose, juxtapose those positions,

what if feathers deny making a Pound

is the Emperor Penguin still Dressed (Up)?

They were all thought experiments. I thought they were poems.

A poet cannot leave re-normalization-alone.

I came pre-traumatized, I sat subserviently

and listened for the equi-valence on this side,

punctuated by give and take.

The man said most don't know. As a physicist, he fishes.

His curiosity overflowing banks and boxed cats

and asks the layman to believe in nothing proven safe for consumption.

The stomach still drops in

conceptual elevators

labeled Science and Art

                                   "Going Down"

                                    (rabbit holes).

This poem was composed of notes I took while at an event hosted by the Arthur C. Clark Center for Imagination featuring Rae Armantrout and her condensed chapbook titled "Entanglements" (pub.d by Wesleyan) on April 13th, 2017 (also her birthday). 

chiaroscuro in chalk

The thinnest limn of luna
fights her way through forests
of shadowed beings

Dimly disappearing cusp,
the darkness drinks its last sips
of amber

Spheres spinning so fast none saw
the movement, as vertigo, camouflage
in dancing shadows, the coins spin

The same two choices,
flashing rims and eye lids
make vertigo

Below bodies levitate between
the same two choices
quintessence finds the balance

between particle and wave,
reflecting accord on a fulcrum
or where to draw the line

between light and dark spaces.








Artwork by John Bauer [Public domain], via Wikimedia Commons.

Fruit bearing

When you peal back all the exterior layers that have built up
around the original seed
of conflict-which stems not from the picking of,
nor the eating of the lowest hanging fruit
or thereby sharing its ripe pungent juices
with another needing nourishment-
generosity doubles its pleasures
and we are both guilty-expelled-and angry at
the circumstance.

The great divergence actually occurred
when it was Found.
Of course, she saw it first, so she is the gatherer,
but inevitably, it is his Discovery.

Her gaze may have given it away,
yet, let it be known, consumption was never her goal,
it was a thirst she learned to live with
his hunger scared the birds.

With his long arm, and extensive reach,
He provided
for himself
bittersweet meats, her nectar, her basket,
the load she carried, the bodies he dragged,
the plates she cleaned, the fires he stoked

he becomes sated with his accomplishments,
being the first to find,
everything a man could ever need or want
and will defend his property
to the end-

He cocks his sharp weapon,
its poison dipped tip enough to take a life
hostage, something stirs, scares him, he aims
while she is busy gathering her bearings and things,
biting her lip and drinking the blood

They divided the chores
between conquer and conquest, bleeding and bled
out.
She seeks
comfort, security,
he finds
himself lost without her
basket.




Painting by Emmanuel Benner the Younger, 'Hunters in wait' 1879 in [Public domain], via Wikimedia Commons.

A Gentle Hand

Not speaking for other species,
a human being shall not deny
the power of touch, tact-tility.
As in a word, requires the
relinquishing of an invasion of space
for a sense of felicity, in kind

where seeming accidental, more so
gently, intentional, affixed upon
shoulder or thigh, put so adverbial or
propositional, it is
in earnest, rightly so,
it feels heavier than
the application of pressure
or happenstance.

This need to reach out
and grasp toward
this living moment,
or clutch the vibration
that is life, date-stamped
within our fleshy fingertips.
It is compulsatory

that we soon become
etched or embossed with entitlement,
as in adept for survival and
toward those celebrating this.
It was a touching thing it was said,
to feel mankind
using his hands wisely, for once
in this way.





Painting by John William Godward [Public domain], via Wikimedia Commons.

Ellipsis

.

The point was never to be asked

as to why or where

for it was only an aim

as if trying may turn

chance into favor.

..

We looked together

at the same art on the same page,

seeing two very different

images

before us in this self-portrait and

agreed only how much it resembled 

us, individually. 

...

Another reason to dig deeper

and to not avoid the back-breaking 

work or big fear,

is discovering 

that the work worked perfectly

for making castles with dirt

or other temporary shelters for our

homeliness. 

Painting by Colin Campbell Cooper, 1921 in [Public domain], via Wikimedia Commons.

Quicksand in the hourglass

Turned overnight into the shadow,
an ominous space easily overlooked-

devoid of light in this dire dilemma
of grasping at grains, starlit seeds of time,

accepting these days that display
traces of altered spin-
and small places
for sin.

Take out the woven-store the sheer.
Year after year, resort
the bookshelves
by ilk
and most pointed dagger,

Titles,
those names mean nothing
-Placeholders-
arm your selves
about the fire and ice, in these
extremities, inside and isolated,
the glass steams up,
the walls smolder around the skins,

and the colder they get,
the deeper they sink
into the thickest of thoughts.

Tucked in this virtuous blackness,
the rest had no peace,

and the sand moved slowly
towards what could only be hours.



Painting by Sebastiano Ricci, c. 1706 in [Public domain or Public domain], via Wikimedia Commons.

Direction

The pod pulls past

super slow

And in one way

the future is seen

in a second

Under notions of nightsky temerity

when moon rises and shines

and stars fall and flame out

The past twinkles

inset overhead

A fine line

between the living

and the dying

dissipates

when we look too long...

Image credit By C.R. O'Dell (Vanderbilt University) [Public domain], via Wikimedia Commons.