“A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds.” -Percy Bysshe Shelley
Showing posts with label dawn. Show all posts
Showing posts with label dawn. Show all posts
Sunday, February 23, 2020
Out of darkness grows
It feels like rain
in the bones.
It is as though
I have known
the subtle differences
of hours
from reading water lines
and by translating the stain
visibly left behind
similar to thunderheads.
Another dawn lightens over me
and after so many
thin and pointed
Winter moons have waned,
it becomes easier to reminisce
in this Time
alone and perishable.
Soon enough,
daybreaks the serene brow
into blended spectrums
dampened down seeds are sown
deeply enfolded into the crust
and the anticipation of flowers
made nothing but sense
of Beauty.
Painting by Jean-Francois Portaels(1818-1895), 'Spring' c. 1879 in Public Domain.
Wednesday, February 5, 2020
drawing with charcoal
Seething and sizzles
with intermittent sparks,
This dawn cracks
its sharp end
Making wake
a current state of fray
Today
may bring light
By ignition
cauterized by the heart.
Painting by Alphonse Asselbergs (1839-1916), 'Around a Fire in the Forest', in Public Domain.
Saturday, October 26, 2019
Over hear
I know it looks like
that
but things aren't always as
they appear,
Projection like protection
is from another layer,
a down souljacket, feathered
to deflect harsh elements
that pour in mammalian pores
poor us,
it is not like smell
is a choice, or to touch and not
feel they all are
trying to seem and seeming to try
but not really
the application of.
Polished is not
unblemished but accented
by the distinct lilt of singed seals
in the air, where a voice trembles
as it is shattering the still morning air
by spidering the panes at connecting
angles, a jade of view
wearing purple dawn under
muffling mists.
What to where,
is unpredictable
with wisdom or sense,
like accessory,
essentially we look away
and close our ears
to shelter the self
under the breath.
Painting by Eugene de Blaas (1843-1941), 'The Eavesdropper' in [Public domain].
What to where,
is unpredictable
with wisdom or sense,
like accessory,
essentially we look away
and close our ears
to shelter the self
under the breath.
Painting by Eugene de Blaas (1843-1941), 'The Eavesdropper' in [Public domain].
Thursday, August 29, 2019
Periwinkle...
...was precisely the most fitting tone
of dawn before the tint of all things
illuminated themselves outward
humming their hues
in synchronic earth tones,
in the distance,
there were glimmerings,
starlight still hanging
on, winking it self away
until the last wishes
were taken in
pastel.
Painting by Thomas Wilmer Dewing (1851-1938), 'Untitled', in Public Domain via Wikimedia Commons.
Sunday, December 31, 2017
What lies ahead
Sun lifting the veil of purple sky-
might bronze forge strength
pungent as the turned dirt?
Thirsting through
exposition, hide and seek,
those are lost and winding back
around-
those that reap
shall be held against the light
shall cast atonement into the shadows-
thou shalt be measured against the day.
All ways an arm's length
a way-in every direction
aimed
this focus spares no details
no enunciation of echoes
when molding bodies
come to day with arsenals
of color intended to define us
by just what they had
known and felt
against all alchemy
made from the excesses,
there was the sky
with directions.
Painting by Maksymilian Gierymski c. 1869 in [Public domain], via Wikimedia Commons.
Friday, September 30, 2016
Loch Smith
Before sunrise on this particular morning
I came to see-
quite unmistakably-
right in front of me
a gaping fallstreak hole
hanging wide open, saying high.
The cat and I,
our curiosity got the best of us
and I suppose
I teetered too close to the edges
which tend to be
slippery slopes of padded History-
also called Epiphanies-
and well,
I fell in or out of sorts,
tumbling through a tunnel
my vision blurred briefly-
white.
We can see-
the mountains lining the dappled plain,
the plane piercing the wall of clouds
intermittent keyholes
blink like red EXIT signs in bright blue blips
appearing further away than they seem-
And although it may all appear
as this lucid dream at dawn
-since the hole has long closed-
I was simply unable to resist peeking out,
fell up, skipped in and
if you've wondered where I have been
before the first light.
Photo By Kittelschürze (Own work) [CC0], via Wikimedia Commons
Saturday, September 3, 2016
A-round A-gain
It was only natural,
the moon mattered more &
the stars too trivial to twinkle.
It was as expected,
as time unfolds memory,ensues,
enframes and borders the view.
It was
more than the medium
or the membrane, the skin sheds and mind
stretches out for much more.
It matters,
Even when it is all the same-
when forever ended time and again, a perfect moment
stolen in a last sunrise-
for Good.
It was only natural
light, reaches the furthest corners and bounces
back.
On a curve,
photons careen in corners,
where
sovereign circles can spin spirals…
Dross traces of dark matter will devour all the same,
sanding the edges
smooth
for the first Time.
Painting by Wassily Kandinsky, Heavy Circles 1927 [Public domain], via Wikimedia Commons.
Saturday, July 16, 2016
Seeing spot(light)s
The dawn gave us Time
enough for our eyes to adjust
by dilation and securely
put away our Imagination.
Still, we can rely on the day
which washes out
lines in shadow,
and though
we act like we know
how it will go
down
in lumens and lux
by observing magnitudes
we are too tiny to see.
When the sun comes up,
let us pretend
it has never been
done before
this way
we can see
All
the stars
conceivably.
Photo credit: By NASA/JPL (http://photojournal.jpl.nasa.gov/jpeg/PIA00576.jpg) [Public domain], via Wikimedia Commons.
Detail via Wikimedia: A Martian sunrise was captured in this Viking 2 Lander picture taken June 14, 1978, at the spacecraft's Utopia Planitia landing site. The data composing this image were acquired just as the Sun peaked over the horizon on the Lander's 631st sol (Martian solar day). Pictures taken at dawn (or dusk) are quite dark except where the sky is brightened above the Sun's position. The glow in the sky results as light from the Sun is scattered and preferentially absorbed by tiny particles of dust and ice in the atmosphere. When the Viking cameras are calibrated for darker scenes, the "sky glow" tends to saturate their sensitivity and produce the bright regions seen here. The "banding" and color separation effects are also artifacts, rather than real features, and are introduced because the cameras are not able to record continuous gradations of light. The cameras must represent such gradations in steps (bands) of brightness and color, and the process sometimes produces some "false" colors within the bands. The scattering of light closest to the Sun's position tends to enhance blue wavelengths. The narrowing sky glow nearer the horizon above the Sun's position occurs as a result of light extinction. At that elevation, the optical path of sunlight through the atmosphere is at its longest penetration angle, and a substantial portion of the light is simply prevented from reaching the cameras by the dust, ice particles and other material in its way.
Sunday, June 19, 2016
Morning brew
The curtains tickle cool and
I get the impression crisply,
while I can, spots all separate,
the symphony tunes each section,
from deep purple set on dusty rose
to ashen greys settled on lazy lilac
unfolding the old periwinkle sheet
low-lit and pink pill speckled
as though white was never needed
in dawn's steeping sky
tweaking the tune of day
in the background.
Painting By Unknown artist – Artist [Public domain or Public domain], via Wikimedia Commons.
Sunday, March 1, 2015
Parades in March
The sun rises
as the rain
falls
harder
breaking the dawn
with angry gray
For-
To:
day
Image By Jon Sullivan [Public domain] "Palm trees in the morning", via Wikimedia Commons.
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