Morsels of moments

We can't go back, pick up, pieces

Anymore

Than we can jump ahead 

To when we

Were nowhere

Together.

It was just right

After I left

A landing, a ledge

Caught me 

You fell past me

In a dream

Blood-stained hands

Grasping.

There was a river.

The sound conjures the divide

How it carries those times

And places

Elsewhere.

You got carried away

I took another way

Anyone's guess

To the sea, 

ultimately

Never again

One 

and the same.

Painting by David Cox -' On the Conway River, North Wales' - Google Art Project, date unknown in Public Domain via Wikimedia Commons. .

Lucid lyrics

This one body

of water

This one me,

one drop in a sea-

where matter makes

greater than one

me and

to see a body-

Like mine

drenched in spirit

like the One 

This is some thing

only I can feel

this one reality

of a Being

that changes

less or more

and more or less

by blood and water

when every thing is 

Exposed

Nothing is just 

itself.

Image by Dietmar Rabich / in Public Domain via Wikimedia Commons / “Wassertropfen -- 2021 -- 8024” / CC BY-SA 4.0.

Plenty full

Dry dirt cratering

a doe glides across the yard

eats the fallen fruit.

Artwork by Franz Marc (1880-1916), titled 'Deer at Dusk' dated 1909 in Public domain, via Wikimedia Commons.

Hot Spring

Well, we can depend
on the constant flow
of water out of the spigot

In these modern times
nails lined with dirt
hold nothing
together

And so few knew
cleansing could be so
bone-chilling,
the cold C
sterilizes me
still
leaving
a residue of salt
inside the deepest wounds

For hope was on the other side

The H begins at the same
temperature
If we wait
sometimes longer than others,
immersed in it,
the degree of Hope rises
from tip to tip,
from pipe to vein

Although, we all know
one drop
was never enough
to remove the stains
or replenish the well
completely
and for good

it was always our turn
of the faucet,
our choice
from which side
to draw
out from some hidden
seeming eternal source.



Artwork by Károly Patkó (1895-1941), 'Woman washing herself' c. 1931 in Public domain.

Well-being

I choose not to spend pennies of thought
for the benefit of others opinions
who have made no personal investment
into the savings of and for the consideration of
a profitable shared account wherein there is only one
authorized signatory and not that of the opinionated.

Buddhist principles encourage us to
'Let go' of attachment but 'Hold on' to
your spirit, stick with it, lean in-
to the fall, don't hold your breath,
all obstacles are opportunities.

I clear some space and feel smaller.
I create conflict and make a mess.
I clean the slate, gently blowing off all
calcium deposits thin as chalk.

A moment ago, I slept,
Now I know why a funeral is called a-wake.

I have lost it and found a-way
back to the well-
being-whereby
change was inevitably tossed in.



Painting by Kazimir Malevich [in Public domain], 'Woman with pails' c. 1912.

Graciously greening

Grateful grew
a waterfall-
when it seemed
dry
the stream had fallen into
a lull
a bye and by chance
a babbling brook broke the silence,
the banks exhaled
a warm chill
mist its forests
and swelling by providing
encurrentment
to every atomic bead
aligned inside sealed springs
to thaw and draw
themselves
forth
by means of appreciation
to rise in a flood
of movement
for no means other than
most simply Being
drawn willfully to the sea
of Eternity,
a wash in tranquility
when the thirst
for refreshment
all but evaporated.
This atmosphere
was everything we needed
to thrive.


Painting by Marcus Larson c. 1856 in [Public domain].

Roar

Solid beads bounce off my body,
each of their masses colliding with my shell
and I am sore, sensitive from the pelting,
gasping with my gills barely open
a slit.

Upwards I face and solid streams form rolling
down my brow and bridges.
I feel drowning is the same enveloping
as the light or darkness inside
my pores.

Buoyancy is all I have
left to show
I am still
occupying
space.

Stalactites reach for the mineral world
they once had.
Days went and came
passing thru me
like water.

There was nothing new
to sea here,
save
the rumbling and reforming
beneath the surface.



Photograph credited by 'Oregon Sea Lion Cave' Ljmajer [Public domain].

Homo-stasis

Let me be beautiful-
but not so much so that it makes me
ugly to others.

Let me know more
than everyone else,
but not so much
that I am to blame
(for everything).

Let me be plugged in
but not all the time,
because it weakens the
battery.

Let me love water
but not so much
I drown myself
for want of it.

Let me take in all
the air,
more than enough
to hold inside.

Let me read every word
that means something
to someone,
let me hear
all the wisdom
that may be
profound.

Let me love.
Let me live.
Let me love life
but not so much
I fear death
for the love of
wanting it.


Painting by Matthias Stom [CC0], 'Old Woman Praying' c. 1630's-40's in Public Domain.

Ebb tide

Tragic are those lingering losses,
comic are the erratic gains
all rippled with guilt
as if others saw
perception seemed worth its weight
to carry with us
all life, blending together in summation,
sometimes synchrony, although
in our exclusion
atonement is a single strike,
a note that takes its sound
along with others,
once more
the chorus comes-
laughter snaps like light limbs
which dam up
the tear ducts
for a time,
like ours when passage
was most important
and our structures remain
sound against the wait of all things
pushed to sea.


Painting by James Whitelaw Hamilton c. 1896 housed in the Yale Center for British Art [Public domain].

Smith, Black

Forged into the metallic morning horizon
Arose churning sediments
forming monoliths,
Silhouettes of possibilities 
stood starkly
As bodies take shapes
And outline the impenetrable yet 
more immovable.

Composed as we come
with letters into elementary symbols
or the other way around,
it dawns
upon us
this light shall dissipate our dreams

Awash in rust
with our veins of copper 
which could not compare 
to the sand that we use to measure 
Time
all that 
sharply resembled
a blade of grass
nourished only with melted dew. 




Painting by Winslow Homer, 'Early morning after a storm', c. 1900-03 in [Public domain], via Wikimedia Commons.

An Art a part

On PBS the show "Civilization(s)" or some such name,
chronicals the human
                                 
                                 amongst humanity.

In a sense, the dawn of man
thru the hours
to the twilight of Idols.

                                         The
                                  form of self
                            fashioned by and from
                   some self-wanting to express
                                self by making
                                  another self.

Michelangelo famously pardoned his images
(from exile on the mountain),
like Capone on Alcatraz (the Rock)

-sharpness being no more requisite of tooling
than persistence in method(ology).

I doubt they knew
                     who was waiting on the other side. The face emerges
masked in fine dust.
It is a face of surprise
that does not expect
the stranger standing
                                 before Him.

The idea came to me-I did not go to it
                                 and yet
the unexpected visitor
leads the way
                                 by blocking the wrong path-
ways, giving way
to avalanches and mudslides and this (re)arrangement
was an expression                               of liberation
                                from the body.

Water will
evaporate eventually,
the granite
breaks
down
its crystal components.

The two cannot compare

Maker and Made.



 Painting by Lovis Corinth, c. 1904 in [Public domain], via Wikimedia Commons.

How salt takes to wounds

I made it-
not to say that it is done-
that I can breathe now
that I know this.

I am here
none-the-less
by the sea
all-the-more-
for me-
guilty
pleasures are all mine
in fine coarse grains.

I am aware,
consciously,
that the measure of success
is off the charts, the beaten path
off the grid,
infinite and yet most
definitely a direction,
like horizon.

It does not move me
along-
but still, I bother
to rise to each occasion,
daytime, in lightyears
despite the erosion, in spite of doubt,
the tides still rise
in order
to pull stars in
circular motions,
like me, reeling.

I am pulled back to sea.
The end begins again
with me
mixing carbon and salt,
separating oil from water
I found a solution
to stop the bleeding.




Watercolor by William Matthew Hodgkins c. 1894 in Museum of New Zealand Te Papa Tongarewa [Public domain], via Wikimedia Commons.

Saplings

Not a lack of empathy could turn us-

or the inability to love the ‘other’-
rationally,

we small rats.
It separates us.
A green miasma seeping up

from the loamy soil.
Familiar, like family, the smell of our
(grand) Father.
Toes curl and cringe and yet

we knew all about decomposition,

slanging dirt on white walls,
shit that flies and flows downhill.

We recognize, collectively
all information is absorbed,
the leaves in turn
throw shade.

Dark times don't always dictate
a Virgil. This time,
we were early.

It only takes a conceit to break
sacred ground.

All this diurnal mist adds up
and seeps in-
to crystal beads made for
costume jewellery
to be strung across
the sky.

There were stars
where pupils should be.

Scurrying mice and men gather

blind,
feeling their way away
from a threat that smelt like a fresh
grave.
All information is recreated
to be fertile today.

It stinks making fresh air.

Painting by Tom Roberts [Public domain], via Wikimedia Commons.

The world in a puddle

Shiny onyx paved streets that shine 

like oil

kaleidoscope reflections of topaz gems

yellow lamplights tossed from windows

makes me warm

inside.

Lullaby metronomes count water

droplets, clepsydra down the side of the house,

this eave, my gutter

fills, pours this bass beads across paving stones

reminiscent of a game of puddle hop-scotch

I count the treble, 

it answers the hydraulophone

inside me.

That musty smoke that lingers like dye

in the sky, leaking out of rooftop chimneys,

house pipes blow and issue

a rescue signal, 

for those inside.

Countless poets have captured this in smaller 

rain barrels commonly called buckets.

We lost some along the way,

which accounts for the change in overall volume,

by composition, ice is also vaporous. 

Drops do both ways.

Nobody cared,

these were not the ideal conditions for thirst 

or poetry,

water was everywhere, like supply versus demand

as far as they could see, 

there was no end

to verses. 

Image credit By English: thesandiegomuseumofartcollection (Flickr) [Public domain], via Wikimedia Commons.

de Hydration

It may be more satisfying for those that attend high school football games or homecoming parades,
who have mini-vans-or now-called-cross-overs-with stick figure families on the back window and are stocked with three cases of Costco bottled waters at any given time-
they must know, despite the number of passengers,
thirst is the same for all of us.

That middle-aged woman that was on the local news who was arrested for breaking and entering a church and sobbing inconsolably, may have been parched,
her lips were chapped and white last night.
The police on the scene were ill-equipped
to serve her,
or protect her
from the ensuing harsh light of day,
offering no peace but handcuffs.
Do not doubt, she will drink today.

The old meth house near the elementary school that had been boarded up after numerous raids was demolished over two years ago but has become overrun with five-foot and rising weeds.
It was finally fenced off and covered with green construction mesh.
That was weeks ago.
Just yesterday they hauled the heaping mounds of green waste away.
Without the water weight, they could carry more.
The kids walking by learn something new.

Water is no longer free.

At any given time, tears help to alleviate
our own weight in water.

That hydration happens in the hypothalamus, and like all mammals, we are merely
menial doodlebugs donning diving rods, lead and led,
most often leading us to empty wells where water once went and today only traces of humidity remain.

The air is sere here,
even those echoes no longer replenish wonder.
The apocalypse asphyxiates us
while we are set on re-repeating, like sheep bleating out and choking on swollen tongues,
panting and naked as wolves we are.
It is no wonder
we are still thirsty.



Painting image credit By "FREREMORPHEUS" (Own work) [Public domain], via Wikimedia Commons.

Always greener

I have been watering the grass,
I have brushed my teeth-wait-yes,
with the water on too long
I have washed my car-
worse I have had it washed.
I have cut the two best roses
for myself by the coffeepot
to smell in the morning.
I have said too much,
I have said nothing at all.
I have flooded the attic-
and the walls may cave
in on me-
but that would be selfishly
about me.
I have sunk to new levels,
as water will often dew.



Image By Leon Brooks [Public domain], via Wikimedia Commons.

Whose in the way of whom

What does it matter

if water may hollow stone,

it also melts ice,

and is able to absorb

its likeness

to become more of itself.

Who can blame the wind 

for putting pressure

on structures we've built

opposing its whims,

where we erect our wants;

which is why we tremble.

Unlike the stone

that is grounded

lays low, erodes slowly

and goes nowhere fast.

Water I care

emote a dust in the wind?

Amidst stone cold silence,

I heard the wind whisper

and the water splattered back.

This poem was inspired by the poem Wind, Water, Stone by Octavio Paz.

Photo credit By Sequeira, Paul, Photographer (NARA record: 8464471) (U.S. National Archives and Records Administration) [Public domain], via Wikimedia Commons. Description: Homeowners lined a lake beach with cars in order to prevent erosion threatening their dwelling residences.