Beading

The wind breaks
promises

and I storm off
in bitter retreat,

sucking out the sour
isolation...

And the shoreline
waves
recognizing its relationship
with the timeline

inevitable as the tides turn
over

Revealing
what has been there
and who is dancing at the edge
unafraid
of falling in

for a pearl.

It comes in waves;
pain, sleep, sound, this feeling
the crashing is closer

becoming brackish
tumultuous and turbid for a trace
of gold
in every full glass
we see through

The warm breeze
blew away
our differences.

How easily mist
the rising and falling
of all things

may be made
more
than solid or whole,
as in part

of us
is always drowning

and becoming
one and the same.


Painting by Władysław Wankie (1860-1925) 'Fisherwomen on the shore', [Public domain].

Mists without a Gist

What was that mist
that frost kissed
air where you touch
the exo-soul
and hairs rose
up to hold
indiscernible
pin droplets
that stab without
penetrating
any depth
in essence
or presence

that obscure eminence
amorphous atmosphere
vials of voluminous
sound, found abstruse
as your own voice
seeing you project
yourself from
somewhere else
ambiguous as
the mist that
never touches

ground.

Image By Fabio Cipolla (1854-1924), The Maidens in the Mist [Public domain], via Wikimedia Commons.

Roar

Solid beads bounce off my body,
each of their masses colliding with my shell
and I am sore, sensitive from the pelting,
gasping with my gills barely open
a slit.

Upwards I face and solid streams form rolling
down my brow and bridges.
I feel drowning is the same enveloping
as the light or darkness inside
my pores.

Buoyancy is all I have
left to show
I am still
occupying
space.

Stalactites reach for the mineral world
they once had.
Days went and came
passing thru me
like water.

There was nothing new
to sea here,
save
the rumbling and reforming
beneath the surface.



Photograph credited by 'Oregon Sea Lion Cave' Ljmajer [Public domain].

absorption

The storm was done
and so it fell
into a fine mist

of crystals spent
in shards or more
mineral.

The after taste
of iron
smells like the steel sky
blowing by

or coming
from my mouth
in thin whispers...








Painting by Arthur Partin (1842-1914), 'Misty Morning off the Coast of Maine', c. 1865-67, in Public Domain via Wikimedia Commons. 

Obscurities

Dense fog rolls across the chiseled terrace
steps from West to East.
Downtrodden and quite oblivious
of Man's conventions, this mocking
mist, as in a gathering of ground clouds,
shrouds the serial sequence of events,
entrances and exits undefined and occupy
our focus, hazily
we get stuck
when we cannot see
ahead.
Shadowless spaces between,
scoff at the series we expected,
anticipated
of Inventions and Evolutions
and Apocalypse.
We've tried to rise and plunge
gradually
to adapt
in this solid state.

We seem to seek the End as if it were
the top.
Admiring an ascent out of view
despite our narrow window
to appear or seek
escape and opportunity
everywhere but specifically
over there.
Such low lying obscurities like
grey matter gathered in this way
concealed the landing
so we may walk across the clouds
making us feel mist
the most, despite always Being
invisible at certain angles.






Artwork by F. Childe Hassam, 'The Spanish Stairs' c. 1897 in  Los Angeles County Museum of Art [Public domain], via Wikimedia Commons.

Mud day

Thrust outdoors into the somber metallic dawn whose grey washcloth
dripping with fog covers my exposed face and outer extremities, slips into
folded crevasses, as in the crook of an ivory neck, exuding an aroma of must
flooding pores make a body all the more aware of vulnerabilities,
small against the vast backdrop erasing evidence of the transference between strata
and stratosphere.

One leaden foot lurches forward despite the denial of movement on raised skin,
my hair collects the dancing beads and leaves my cheeks ruby
in the shameful way that I have seen how my hair stays grey instead of brown when wet,
and yet no time has (a) past...

the mists persist in making all clouds disperse
at our feet collecting weight on lashed eyes dropping diamonds between the sharp tan blades
repelling the chance for new life, making the bed of earth condensed to gather all the necessary elements for the making of a Mud day.

Painting by Frederic Edwin Church [Public domain], c. 1869-70 via Wikimedia Commons.

Barometric Duration

Days end, All that could happen

Did.

That said,

It all comes back to you.

Last chance to change

your mind

in my direction.

One point aimed

at your heart, a foci.

Mist. Barometric pressure.

The duck glides atop

rolling water. Surface levels

Stones skip

Hurried to land.

All was settled

where places were

Set. 



Painting by Robert Vonnoh [Public domain], via Wikimedia Commons.

Incubus

Resembling the unwakeness of a Dream

blurred outlines

crisp sounds that echo hollow

sleep standing, meandering adaze

muffling the view

obscured by heavy air

pushing on pores

licking your eyelashes

in salty sentiments

sealed and enveloping

brilliant opaque light

shadows perceptions of depth

an oceans deep breath

fractals that float

bonded in obstinate anti-gravity

careless of time

synchronized now

grey matter of mass

drapes close on the sky

sinking in silky soliloquy 

rolling softer than thunder

momentary miasma

of soggy bliss

soup was ordered as a starter

to wet ones appetite

for a serving full of

mist

delayed

by fog.

Image  from Wikimedia Commons "Fog" (Public Domain)