Saturday, September 3, 2016

A round of a pause


Magic elixir, quick fixer,
there is no cure.
It is fatal, even tragic,
there is no real magic
in metallurgy,
by standard,
gold gets warm to the touch, silver reflects
soft and such-
Just ignore
those that keep score with trinkets

As alchemists insist upon
what is made is nevermore
than before
enduring and manipulating
the use
while passing through,
by hand.
The philosophers’ stone

Mostly taken for granite.

Painting by Luis Ricardo Falero, Study of a Witch (19th century), [Public domain], via Wikimedia Commons.

Day dreams


The world is flat-after all.

From here on the ledge
of this precipice, crisp
ridges jut through hazy space.

Placed in perch, the pendulum,
humming in wide ether ebbs
across calm chasms float
ascending the abysmal
highs and neaps-
the watcher sleeps, while
I's skip across the surface-

It is good to know,
up-on deeper reflection,
if light were soft,
nightfall would not hurt-
so much as with onus-
we carry dreams, inklings
heavy enough for sinking stars.

In arches,
the moon bounces back,
putting herself away in phases
setting limits on the possibilities
of how far eyes can go in one day.




Photo By Jon Sullivan [Public domain], via Wikimedia Commons.

A bird in the bushes


That sudden moment you realize
in full color,
Everything has changed
dramatically-
As though the view had become slightly altered
-say some trees missing over there-
the skyline is as good a place to start
against which the details are sharp-est
most vivid.
This was the moment
that would be marked
the point of divergence,
a terrain change
ahead.
All is
unforgiving in this light.
I said up and above, bellowing
over heals past keeping pace and you race
to keep flying
toward this shiny chromatic destiny as if it were all the same-
to you,
estranged.
This very moment remains
coveted yet-
unchanged by the bumps and bruises,
fallen limbs and
sin,
regardless
of it always being just

this way.



Image of artwork By Internet Archive Book Images [No restrictions], via Wikimedia Commons.

Carried on


It's all helicopters and electric guitars;
alarms and alerts-
this is more real now
than t ever was
flashback

With all the gears shifting and grinding
motors spew grease like spit
fire spreads like mad thoughts aloud.
It's all safe and sound and sun-shine
and it's not
lemonade stands and phone booths
nor Captain America or capes-
Now
some-where-else-one-mixed-up
present-past-back-again-remember…
Legends say
Silent nights
and nowhere fast and new,
howls deep and long and
carry on,
the rest
I cannot remember,

we’ve lost our hero.




Image credit: By Marshall, S. L. A. (Samuel Lyman Atwood), 1900-1977 [Public domain], via Wikimedia Commons.

Imagination

Fractals, for example,
are the most simplified demonstration,
visually
of why we Science
and by social connectivity via
organic growth
by presenting pixelated predictability
and also string theory
we try to collect the dots.

Overlapping these
is closer to any
one point
in Reality
or limited by spatio-temporal 
relativity.

I agree, conceptually, anyway.
It is wise to fantasize
about things like
algorithmic altruism
and kosmic-karmic-knowing-ness.

                        Besides, it feels good to stretch
and probe those idle lobes
and reach with our soul, consider, ponder, wonder
and flex our potential realities
Into conceptual theories or infectious ideas
ad infinitum.
Wouldn’t you concur-

Nothing is better than momentum. 




Animation image by By Biajojo (Own work) [CC0], via Wikimedia Commons.

Circles of influence


As with Death and Being
(in love),
you only know it when it comes
close enough to smell-it gone.
This doesn't help us.

It is curious to wonder
why we still get dizzy
(in tight circles we spin)
when this has always been
the Prime Mover
of things that (are like) matter.

It is earthshaking to think all of us
know something
(is speaking directly to us)…

As with Kodiak bears and Great White sharks
act Bigger and be LOUD-pretend you are more than you are.
We don't dare admit
this is not enough.
Survival is still

just our luck.




Painting by Christoffer Wilhelm Eckersberg [Public domain], via Wikimedia Commons.
Title: Ulysses Fleeing the Cave of Polyphemus

“Eckersberg spent 1811 to 1812 in the studio of David, practicing life drawing and history painting. One of a series of subjects from the Odyssey, this is perhaps the most compelling. The giant Polyphe­mus in his cave looms over a sheep, searching for Ulysses and his companions, who blinded the one-eyed monster. The men have escaped beneath the bellies of the flock; Ulysses, at the end, prepares to join his companions. The Mediterranean light is dazzling. We viewers remain imprisoned in the tenebrous foreground as Ulysses slips away. Eckersberg’s study of the eloquent contours of Greek vase painting is put to good use here.”

Friday, September 2, 2016

Deaf, dumb and mute (me)


If you ask me Today
I'd undoubtedly admit
I was built this way,
it is my arch-i-texture
rehearsed.
If you ask the same Tonight-
I might not answer,
despite having something nice to say.

Either way, those questions get slightly worse
all the time
So I'd rather not ask, it is not my task,
I consider this a gift,
I try to listen louder
than anyone can Here.





Painting by Fernand Khnopff, Silence (1890), [Public domain], via Wikimedia Commons.

Half-dozen Mud cakes

Back to wood decks, quarter-size spiders, webs, moss  and creatures stirring in the hollow nights Back to no side-walks and skirting into th...