“A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds.” -Percy Bysshe Shelley
Saturday, November 26, 2016
You for ick & X-Stacy
Tantalize me, blind me
with only the very tip
of touch
by bare skin, finger-
tip and thirsting tongue
piquancy tastes of infusion
and shutterless delusions
Sip and savor
thick honeyed pleasure
open viscous and slow,
collecting each drop contains
seven heavens
in one sin
Shall we begin
by a scent
magnet eyes,
enrapt by craving
connection, in conductive curiosity
never killed the unseen energy
crackling its static ring
of five
alive
ones
And generosity
left to ecstasy
takes lying down
where I would
see
in twice meant
lurid along making life lines
by hand.
Drawing by By Toulouse-Lautrec, Henri de (Unknown) c. 1896 in [Public domain], via Wikimedia Commons.
Thursday, November 24, 2016
To Rise Above
To Rise Above
does not challenge
volume of voice;
Rather,
to Rise
we must become
light-er.
Start by letting go
of what was never able
or willing to support your weight-
in words;
it may be all ready
too late
to try to fly
on your own.
Up or down, to fall or float
dares us to face that timid demon;
in doing so, we learn
a bit about freedom-
not of choice or right,
as in 'Fight or Flight',
but to maintain and conserve
the quiet right
to let go.
And move on,
to knowing
there is much more
than time
to exist and resist
changes
of the heart.
Painting by Anne-Louis Girodet de Roussy-Trioson (1802) in [Public domain], via Wikimedia Commons.
Wednesday, November 23, 2016
Pass the looking glass
Face your fears,
is always more than
a dare,
underlying there is
the resurgence and recurrence
brought back by time and tide
Heavy in the air
inoculable preoccupation
to reflect
the return
a long lost relative redness
in the cheeks,
the submarine crystal eyes,
tiny peeks in a clouded
mirror
and there stares
back the terror of truth,
thicker than mist
draining all the same
Vain
by surface shine
in a spectacle
she sees a blind slave
whose never seen herself
anything but brave.
Painting By Tarbell, Edmund Charles (1862 - 1938) – Artist (American) Details of artist on Google Art Project [Public domain], via Wikimedia Commons.
Sunday, November 20, 2016
Second helpings
It would be asking too much
if someone said
wait one-thousand-milliseconds,
one hundred jiffy's,
a billion nanoseconds, or a Fermi
but really that sounds silly,
so seconds it is to please be quick-
witted, reactive to surfaces
as echoes and sound is also a wave
that warbles along at seven hundred
and sixty
miles per second,
superficially.
Just so you know, it is all calculable by
a minuscule measurement of radiation
and reach, emitted by caesium (-133),
tiny things we cannot see nakedly
invaluable like love and currency.
Honestly, you should know also
that it takes 6 full grown alligator
seconds to gain any kinetic benefit,
by stretch or strain,
of any muscle-through release or gain.
And all should plan appropriately,
it takes twenty-one seconds to pee-
really
on average
you have been warned
seconds and faith
take quantum leaps.
In one unjust second, a bullet barrels by
two thousand five hundred feet
while a snail sidles over a puddle
cruising 1 chasmic centimeter
and in that same moment
we swallow, we make thoughts,
we blink, we take it in, more than oxygen-
we reminisce wanting more from before...
the world changes drastically for one
second, and
again,
firsts are never enough
for any one
Now.
Painting by Johannes Vermeer, (b/w 1655 and 1667) 'The Art of Painting' in [Public domain], via Wikimedia Commons.
Saturday, November 19, 2016
Hand me downs
I never claim to know is mine,
alone.
Perhaps it is a preference of plagiarism,
a nose for improper prose,
an insatiable appetite for
all ilks of altruistic anthema
I could not think
of a better wheel design.
We have learned.
Where there is smoke was once
on fire.
Needs and devours
as borrowed without interest.
Solutions are simple echoes,
echoes
what you said you heard
and comes back if it hits the right note
accord.
You know how others wrought words
work
more harmonized than mine,
in truth themselves together
as wording that works
for real-ity-itty-bity life-like
Projects
and Practice.
By stretch of imagination or by the life-
span of a metaphor
by suspension
and leaps
abound archaic and built to last
for a time-as taut truth
entwined in tension.
Look
out.
Given eyes
to see,
Only art may remind us why
color is requisite to sight.
And why white space is free
breath.
To covet a glance, off the top
take without change
of rubberized opinion
or overcharge for overdrawn spirituality
from a paper One.
I imagine
remembering clearly-
some scattered lines of poetry
in tangled threads,
rags over-stiched spines,
poets opine over each others
dead bodies doing it wrong
turning the soil, lying there
and re-cultivating the Garden of
I Will
re-Discover.
Know only
slowly may one go
to pull open space we need
vacancies never free, but insist
on appearance and flow from Others
Currents
pulled into time by tide.
Drifters
we are all sifters, thieves
of sureness,
presenters of possibilities,
tailors
of time-
space,
altering whose in whose
reality-one time,
rerunning reminiscences
and savoring our own essence
familiar
in-decadence in fortitude
never mine in any time-frame
alone.
Image By Charles Robinson (The Happy Prince and Other Tales) [Public domain], via Wikimedia Commons.
Lip locked
“ Matter turns out to have no other substance than spirit itself…In a pure monism it would make no real difference whether we called the one reality God or Nature, mind or matter, water or fire or will, since in any case this substance must be the seat and source of every kind of distant existence…The great stream of “life” is said to run through matter…” -Previously Unpublished Essays of George Santayana, John and Shirley Locks (1969)
We all collide in photonic pride,
mix and co-mingle our palettes
to each his own.
Humanity.
Expressing our cannibal cravings
in a hungry kiss
as an arc of attraction
thru and through exchange
of energies
as Desire.
Fruits of our Labors.
Mind molds matter
more perceptibly erected
as spiritual sculpture;
foundations for
the body in clay.
Is symbiosis the essence of
phenomenal bliss, sweet
soul mates in super symmetry?
Dualism fusing with monism,
electromagnetic discharge
as feedback static
grounded on belief
in single resolution
holographic by belief?
Negative.
I feel the friction
in the denial of not knowing
the all that all do
under clear conviction
that nothing is known, certainly,
except what we don't know
Absolutely
nobody knows as much as he doesn't
in real time,
or (f)actually.
Embrace the wind,
a kiss blown, a fallen star,
a swollen heart or dry eye
moves nothing but air.
And there we stand, firm-
trying to get through
mind over matter.
“I might sustain the theme indefinitely that you nor I nor anybody knows as much as he doesn’t know. And that isn’t all: there is nothing anybody knows, however absolutely, that isn’t more or less vitiated as a fact by what he doesn’t know.” -Robert Frost
Painting by Edvard Munch, "The Kiss" (1897) in [Public domain], via Wikimedia Commons.
Friday, November 18, 2016
Believing in Ghosts
A nice break
to heal...
The real world awaits
-our authentic attention-
not to mention
(Your) Life is not on(the)line
& is most simply an Alt. identity;
salty audience driven arrogance
boasting and posting
egotistic in-
significancies
(please)
Pixelated phantasies thrive
in social (media) circles,
round and empty
vacuum souls.
Dive deeper into delusion,
alternate versions of you illusory
packaged for others to see,
so-Pretty-are all empty (boxes),
apparitions inside avatars
for show.
Friends,
Floating in your mainstream
is not what it may seem
carried with the flow
surface deep on Lethes
and Styx.
Not only ghosts
pass through doors
of intangibility.
Painting by Théodore Chassériau [Public domain], via Wikimedia Commons.
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