Orchestra

As we aim to silence the pain
which we are fairly allotted
by birth-right

a deafening calm consumes us
while focused on the pleasures
overdue to us
in the treble.

Signals cease to lift
the alarm lever,
if we don't
move
our lips

to speak
to the self
in the language of the body.

Before translation
the strangeness deters our curiosity
about how one thing may become another
and make melodies
by note, by color, by shade, by immersion,

there is understanding
needs to be met
and lyrics to listen to
while we move

this way and that
away from where it hurts most
toward what we know
says nothing
about us.



Painting by Wilhelm Carl August Zimmer (1853-1937) / Public domain.

Upon further refraction

The dark parts are never totally absent
but make counter balance
while the wave-
lengths of light
lure us to the edges
of our material domains.

And tenacious as
we are, discover
how pointed
the arrow of time
must be-in order
to pierce the shield
we forge between
then and now,

somehow
All
observations become skewed
and miss their tiny targets
more often
than not.

All the while,
the incessant beating
heart, clock, hands only
amplify this glaring
temptation to shatter
our own gently built
crystalline structures

aligned and angled
just so-

objects prevent the light
from penetration
into the facets
that make us so
Reflective.

In retrospect,
the gradient
is held dependent
to a degree,
only to consider its own color
cast on the walls
and splashed across the floor
in the time it takes
to name
something never
There.


Photo credited by Kelvinsong / CC0, 'Prism tribeam' taken 2012 in Public Domain via Wikimedia Commons. 

Scab(bard)

What must be done,
the human dilemma,
in life, in love,
two hands
for beginners
two eyes
for choices...

And yet,
the serrated edge
makes its intentional cuts,
back and forth, metronomic
and chronically
applying increasing pressure
while deepening-

Well,
we all know about old wounds
and the salt cure,
yet often preferred,
the tourniquet
methodically
seems to slow things down
when placed snuggly
over our mouths.



Photo credited by: Poliphilo / CC0, 'The Knife Grinder' taken 2015 in Public Domain. 

Kaleidoscope of Spring

Together, we once called them
'worms with wings'.
I thought of this
as my marriage died,tortuously
in the same way
it dawned upon me while
watching the 'Morning Cloak'
try to right itself
in the amber evening sun.

I had tossed the big black butterfly
outside on the patio concrete
after finding him
splayed flat, unmoving
on the kitchen floor
next to the smiling cat's
empty food bowl.

I was late serving dinner,
he offered his own.

That was many hours before
or many, many days
by butterfly time.
Stunned, I noticed, here he
miraculously
survived-only to be now
devoured piecemeal
by an army of ants.

A group of caterpillars
is also called an army.
A swarm of butterflies
is also a kaleidoscope.

His shredded wings
did not deter
the fight-
I couldn't watch.
I could not look away
at this dying symbol of change
reminding me,
sometimes
there is nothing we can do
to save another.



Artwork by Edward Mason Eggleston (1882-1941), 'A day in June' c. 1932 in Public Domain.

elasticity/density

The anticipated fog
steamrolls over
terrestrial things
in ways worthy
of emulating.

Clearing in manhole
windows, a glint of caught
starlight hints at the presence
of an eternal watchful
vigil by the moon cast.

Slow and muffled comes the
hollow sound, conjured by a presence
stirring the air.

Straining to hear
a muse muttering
your name as if it were
pronounced in the echo
of Nobody.


Painting by John Atkinson Grimshaw (1836-1893), 'A Moonlit Evening' c. 1880 in Public Domain. 

Innocent

I should be content 
knowing nobody
could love him
like I do.

True enough
to have witnessed
the changing self
d r a w  o u t l i n e s
of desires
longer than
arms reach.

The center feels like a heart
compressed,
echoes collapse and
the chest pushes a thought
into wearied exile

only one 
caress could suspend
the pursuit 
to trace folds of grey matters
inside out. 

Make dreams
a solace somewhere
whispered images may be
seen tangible in a way, 
a drift made by you
moving through this life
dropping leaves

in a scent,
how I know myself. 



Painting by George Lawrence Bullied (1858-1933), 'The Love Letter' c. 1911 in Public Domain.

Gesture

It is the same way we see heat
emanation, only by the rippling
of reality,
an oasis awaits further down the road.

Despite the distance we cover,
no matter how we adjust our focus
crisp lines singe into smoke
relaxing
feeling and senses
a source.

Desire is emanated
from the soul to the eye
that traces the shapeliness of
bodies around
a naked blur
which softly invites a gaze.

The way wind is welcome
where still
waiting for change
of pace moves no bodies
weighted with apathy.

The world spins, arrows fly,
hope floats, love kills, babies die,
the decrepit are reborn, the gates are locked,
gravity suspends its permanence
for a second
witness.

See how it feels...

Arid and parched
a body becomes
never reaching
for what cannot be held.



Image taken in Death Valley taken August 1982 by Roger 469 in Public Domain.