Pulp

Oh bare soul

                    Ink stains

On white sheets

                 hinting impressions of what

came before

                    Without a dark mark made

Leaving no footprints or

                             creases and whatnot

Simply sinking in

                            a breeze shuffles

across the surfaces, 

                                      Lost in the sheaf

reams of lives, 

trembling forests,

                                     all are ashes too...

In the tree outside

the bedroom window

                                     Atop the tallest branch

A mockingbird gives an Aria

Jumping up in bursts, 

Flapping,

                Landing, bleating again

Relentlessly

                   it seems to me

that if a free spirit were

truly so

                     No one would ever know

The full story of a tree...

does one begin with roots-

                                 the buried seeds

nay, so I draw 

a delicate leaf

                                   Hanging mid-air

and am fixated

                        noticing the fallen

Bark below, scratches, and scars

That healed long before

                                       Now sloughed off

and suddenly I erupt 

                        laugh aloud

Along the same avian pitch

                                    Mocking my own

disbelief in the resilience

of composition

                           finding forms

of Liberty.

Erasing all I have done

In the air, irrigated charcoal

           a trace, a gentle summer 

Rain is coming

           so I jump up and go for a run

In the nearby woods

Blood pumping

                       through limbs

Pounding the soft earth

                      I carve a secret Path

instead 

of writing this poem.

Image Title: Bob; the story of our mocking-bird

Year: 1899 (1890s)

Authors: Lanier, Sidney, 1842-1881; Lanier, Charles Day. (from old catalog); Dugmore, Arthur Radclyffe, 1870- (from old catalog) illus

Publisher: New York, C. Scribner's sons

Contributing Library: The Library of Congress

Credit via Wikimdia Commons in Public Domain

Upon further refraction

The dark parts are never totally absent
but make counter balance
while the wave-
lengths of light
lure us to the edges
of our material domains.

And tenacious as
we are, discover
how pointed
the arrow of time
must be-in order
to pierce the shield
we forge between
then and now,

somehow
All
observations become skewed
and miss their tiny targets
more often
than not.

All the while,
the incessant beating
heart, clock, hands only
amplify this glaring
temptation to shatter
our own gently built
crystalline structures

aligned and angled
just so-

objects prevent the light
from penetration
into the facets
that make us so
Reflective.

In retrospect,
the gradient
is held dependent
to a degree,
only to consider its own color
cast on the walls
and splashed across the floor
in the time it takes
to name
something never
There.


Photo credited by Kelvinsong / CC0, 'Prism tribeam' taken 2012 in Public Domain via Wikimedia Commons. 

What are the Chances, Chances Are

What are the chances:

That your most despised frenemy suddenly found themselves 
sitting down next to you in the only open seat-


of being late and avoiding an accident-

Someone looks like you, but worse-
They are better versions-

Saying something meaningful aloud-
It becomes true-
Anything true can be said-

There are second impressions
called shadows-

We can make ourselves proud-
without too much pride-

Our dreams are someone else's-
You are the true version 
of someone else's dreams-

True love is only a test-

Chances are:

-more likely you will drown (one in eighty-four)
than getting killed by a shark (one in nearly four million)

-you will end up looking like your dog, your mate,
your old self

-the Universe listens

-fear of shadows once saved our lives
fear of shadows from towers we have built
enshrouds our lives

-nightmares are honest discussions

-Love's Labour's Lost



 Painting by Unknown c. 1892 in [Public domain], via Wikimedia Commons.