Body

When composed
I have been most like a
lightly punctuated piece of prose.

I recently noticed this
when asked about tendencies
and putting ourselves into forms
or shapes.

When tasked
under grammatical conditions
we need not justify
why we do
to be understood through all the
various transitive verbiage.

Assembly was always required
of us
but never easy.
Only a certain grace found in
a harmless poem
could reflect lightly
a likeness of Others.

Our bodies of work
lie
in the white spaces
where there is room for the shadows
cast by the words beheld
and there are more than enough
glimpses of more
meaning
to be caught-

in mid-air-
afloat where we see
more than the sun setting in
(a day).


Image of writing by Joseph Carstairs, penned c. 1820 in [Public domain].

B4 PM

Before private messaging
            there were the numbers
on the clock

And those moments
were magical

when we could predict
          (make occur)
                                the future

with its interminable revelations
And knew
All Souls
past by-when it began
its first
            Revolution.

There were many times
All numbers
changed what they meant
               and how they appeared
in passing.

Artwork by John Singer Sargent [CC0] in Public Domain.

trails

Vengeance makes a map

old wives tails and medicine

man show now how X

crosses paths never worn away.

Image Title "After the battle Company G 32nd United States Infantry' c. 1898 in [Public domain].

Spring palette

Some nights such as these

in Spring

the crispest ones forebode

dramatic scenes and

will only be appeased

with warm words, the genteel kind

unlike those dark corridors linking

hollow rooms to alternate realities

and how easily

we may be misplaced inside,

one sees clearly-

Poetry possessed the palace,

the chorus charmed themselves

considering changes

are made in continuity,
contemplating,

harmonium found itself

outside sound and dancing

in full color in the deepest
dark.

Painting by Henri Le Sidaner, 'Small table in evening dusk' c. 1921 [Public domain].

Prince of charms

I see him clearly behind the wall
furtively tending to the ritual
of opening wounds
while he wields his favorite knife
which resembles a bottle of Tequila
and he stabs himself
repeatedly
with audible barbs-
the kind that go in and you cannot
pull them out
you must pull them through.

And when I forced a look at him,
I saw the glimmering round shield,
blood spattered red cheeks,
his brow beaded with sweat from lifting
the load so long, carrying it wrong,
he ached, he moved in pain.

And the artillery unleashed
with words flying like arrows
and feelings popping like brittle
burning wood while smoke
circled his buried head
and instead of his precious blade,
he pulled out a small smile-
sweetly
in his shining armor,
while looking away from the glare
he managed to mumble-
you know I love you. 

I was never sure
who he was aiming at.



Image credited by UVM Libraries Digital Initiative 'Sword_sharpener_practicing_his_trade', published asa postcard c. 1909 in Public Domain. 

Settle in

Gathered all

I could manage

to ex-press-

an in-audible

scream

that left the bereft-

ness expended
under foot.

See

me

as I never was.

I am only

Now

as can be

good enough
to reach.

Not a word would match

the fiery-ness,

not a wet thought lying

around to ignite

the waxed wick
convinced in ambiance.

Shivered at the losses

when the blood concentrates

on the speed it needs
to lose groud, to blur
the lines.

It was always time

and matter to dwindle the days
back into a neat stack.

Meanwhile,

my toes curl

atop a thin sole

inside the shoes I have outgrown
I am misshapen.

One day

I will feel

the temperature of the earth

and find it

just right
where I happen to Be.

Painting by Lucien Pissarro, c. 1900 in [Public domain].

Respiration; Exhale

Late afternoon, predusk
Crystal beads balance in between blades 
And I wonder how the dew does
Survive the day, 
Like me.

All the change and energy
exhausted.

Exhaled more than I took in.
Eyelids spread wide
I steal the last flakes of golden sun
And hold my breath
Because it's all I know I can do
and besides 
(myself)
my heart is simply too heavy
To lift this evening.

Painting by Henri-Edmond Cross, 'The farm, evening' c. 1893 [Public domain].