Sky stalker

He was close
      atop the next door
               roofline,
two doors and eight windows away,

I can feel him
not caring
but staring
              at me
              clearly
cocking his head
and aiming his
       attention my way.

I return his gaze
             between two crows feet
I squint
             and am unable to define
where wing
                    and feather divide

like the wind

no where
Now
how he can soar
               based on feeling
a passing breeze
across his breast
plate

I maintain my ground
feeling anchored
under air

the predator holds its breath
while the raptor releases
a piercing scream
before
he takes flight
giving one more glance

downward
I stay affixed
under this eave

awaiting a closure
of wing, sky
and the hungry eye.
         


    
Painting by Edwin Henry Landseer, 'The falcon' c. 2837 in Public domain.

Exhibiting

Funny thing is
like love,
and other sudden
appearances

One is easily taken up
with the obvious Now
and yet indescribable
Then
and
That

feeling of
reconciliation
along with a benevolent
contentment
arisen
impromptu

That is
the feeling
in the right place
at the right time
to see
differently

As in the gallery
where windows were mirrors
and so the first
reflection where I recognized
myself

captured and mute
yet framed this way,
in the best light
there was Time.



Image credited by BurgererSF [CC0], from Wikimedia Commons.

Mumbled the old man

We will never,
in our entire lives
forward lived
be listened to
like when we are
babies
and have nothing to say
that makes any sense
or adds up to experience
as in process
other than
the audible reaction
we have come
to refine.

And still, the old go unnoticed,
after all they have witnessed
in further thought
one should not ignore
repetition
because it looks the same
and never is
and sounds like complaint
but never was.

We predict
the firefighter from the fawn,
timid in the forest at first,
naturally, he will adapt.
We guess and check
and still seem not to heed
the final words
as they were said
carelessly,
as if it were possible
like alternate endings.


Artwork by Leonardo da Vinci, c. 1513, Old Man with Water studies in Public Domain. 

absorption

The storm was done
and so it fell
into a fine mist

of crystals spent
in shards or more
mineral.

The after taste
of iron
smells like the steel sky
blowing by

or coming
from my mouth
in thin whispers...








Painting by Arthur Partin (1842-1914), 'Misty Morning off the Coast of Maine', c. 1865-67, in Public Domain via Wikimedia Commons. 

Ebb tide

Tragic are those lingering losses,
comic are the erratic gains
all rippled with guilt
as if others saw
perception seemed worth its weight
to carry with us
all life, blending together in summation,
sometimes synchrony, although
in our exclusion
atonement is a single strike,
a note that takes its sound
along with others,
once more
the chorus comes-
laughter snaps like light limbs
which dam up
the tear ducts
for a time,
like ours when passage
was most important
and our structures remain
sound against the wait of all things
pushed to sea.


Painting by James Whitelaw Hamilton c. 1896 housed in the Yale Center for British Art [Public domain].

Scraps

She sits at the dining room table,
pen in hand-elbow to arm
props up her left love,
where logic once lived.

She wants me to believe,
by witnessing how hard she is thinking,
that she can find the right answers,
on her own
while I mindlessly match corners of cloth
on the couch.

There was a new way about her
that noticeably tilted the room
or cast the light
in her favor
across our stretch of space.

Don't look, she demanded
placing her body in front of
her painting.
I won't, I confirm
and see anyway.

When I leave the living room,
I can feel her listening
to the cabinet door whine,
the dresser drawers stomp,
she is wondering about
room for living.

She questions where I put things
away
for now
she knows
my thoughts
and where I would keep them.

She was always watching these,
grabbing them
in the thin air
and keeping them
for later.


Painting by Vilhelm Hammershøi, c. 1904 in [Public domain].

Feast of air

He sets the table
             for the holiday
                     he has planned
                                 carefully,
gently laying
           the knives-
                 blades facing inward

of course, there was nothing real
                      about this place setting

in this metaphor

Helping with a tool, utensil, in-kind-ness
He says,
              Busy, I have so much work to do
I do not reply
I do not show I notice
              anticipation,
I know this
                is a holiday
and anyway, he knows this too,
(the closures)
he presses (on) the edge of
bleached napkins
naming each of his clients
He must go
to
to-day
too many

there lie(s)
                   the empty plates
while the water glasses break
a sweat
profusely
dropping rings
at the appointed places
becoming tepid
                  and easier to digest.


Painting by Hendrick Andriessen, Vanitas c. 1630-1640 in [Public domain] via Wikimedia Commons.