“A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds.” -Percy Bysshe Shelley
Monday, May 18, 2020
Hollowed out heart
I unsheath the telescoping rod
from the vein in my left arm
connecting my ring finger
to the heart
and pierce the stale air
of dwelling in this too-small space
atop the low mountain ridge,
I scream, a hawk echoes me and
I determine to open it up,
as a surgeon might do,
and bleed out the rest of the
swollen lust built up
from impossible dreams
and so many bruised misentries
stain like scar tissue,
there is no feeling in this area
that the immune system
is ill-equipped to treat
As the resistance is overkill,
homeostasis is not a residential zone.
The needle-tip inserts alternate forms
of nourishment and necessity,
only meant to keep the heart
beating me up and down
like a closed fist
striking empty chambers.
Painting by Hans Dahl (1849-1937) 'On the mountaintop' date unknown, in Public Domain.
Sunday, May 17, 2020
Laundering
Where does one begin
to unpack the suitcase of grief?
While it may be nice to throw it all away,
or donate these shreds,
I find it impossible to imagine
never
wearing those favorite jeans again,
the perfect bra, the stained shirt,
the holy sleeping attire-
I have no desire
to wash and fold and put away
for the 235th time
these obligatory articles.
I sense that grief starts with the smell
held between the threads
and remember distinctly
the quilt my grandmother made me
that fell apart
completely-
like family...
Long gone,
I ponder the scraps
and marvel a few moments
at all the layers we carry
and feel a sudden need
to give the shirt off my back
only to see
how I was made
myself again
woven with only
the softest flesh.
Painting by Aristarkh Lentulov (1882-1943) 'During the laundry', c. 1910, Public domain.
Friday, May 15, 2020
Orchestra
As we aim to silence the pain
which we are fairly allotted
by birth-right
a deafening calm consumes us
while focused on the pleasures
overdue to us
in the treble.
Signals cease to lift
the alarm lever,
if we don't
move
our lips
to speak
to the self
in the language of the body.
Before translation
the strangeness deters our curiosity
about how one thing may become another
and make melodies
by note, by color, by shade, by immersion,
there is understanding
needs to be met
and lyrics to listen to
while we move
this way and that
away from where it hurts most
toward what we know
says nothing
about us.
Painting by Wilhelm Carl August Zimmer (1853-1937) / Public domain.
Upon further refraction
The dark parts are never totally absent
but make counter balance
while the wave-
lengths of light
lure us to the edges
of our material domains.
And tenacious as
we are, discover
how pointed
the arrow of time
must be-in order
to pierce the shield
we forge between
then and now,
somehow
All
observations become skewed
and miss their tiny targets
more often
than not.
All the while,
the incessant beating
heart, clock, hands only
amplify this glaring
temptation to shatter
our own gently built
crystalline structures
aligned and angled
just so-
objects prevent the light
from penetration
into the facets
that make us so
Reflective.
In retrospect,
the gradient
is held dependent
to a degree,
only to consider its own color
cast on the walls
and splashed across the floor
in the time it takes
to name
something never
There.
Photo credited by Kelvinsong / CC0, 'Prism tribeam' taken 2012 in Public Domain via Wikimedia Commons.
Sunday, May 10, 2020
Scab(bard)
What must be done,
the human dilemma,
in life, in love,
two hands
for beginners
two eyes
for choices...
And yet,
the serrated edge
makes its intentional cuts,
back and forth, metronomic
and chronically
applying increasing pressure
while deepening-
Well,
we all know about old wounds
and the salt cure,
yet often preferred,
the tourniquet
methodically
seems to slow things down
when placed snuggly
over our mouths.
Photo credited by: Poliphilo / CC0, 'The Knife Grinder' taken 2015 in Public Domain.
Thursday, April 30, 2020
Kaleidoscope of Spring
Together, we once called them
'worms with wings'.
I thought of this
as my marriage died,tortuously
in the same way
it dawned upon me while
watching the 'Morning Cloak'
try to right itself
in the amber evening sun.
I had tossed the big black butterfly
outside on the patio concrete
after finding him
splayed flat, unmoving
on the kitchen floor
next to the smiling cat's
empty food bowl.
I was late serving dinner,
he offered his own.
That was many hours before
or many, many days
by butterfly time.
Stunned, I noticed, here he
miraculously
survived-only to be now
devoured piecemeal
by an army of ants.
A group of caterpillars
is also called an army.
A swarm of butterflies
is also a kaleidoscope.
His shredded wings
did not deter
the fight-
I couldn't watch.
I could not look away
at this dying symbol of change
reminding me,
sometimes
there is nothing we can do
to save another.
Artwork by Edward Mason Eggleston (1882-1941), 'A day in June' c. 1932 in Public Domain.
elasticity/density
The anticipated fog
steamrolls over
terrestrial things
in ways worthy
of emulating.
Clearing in manhole
windows, a glint of caught
starlight hints at the presence
of an eternal watchful
vigil by the moon cast.
Slow and muffled comes the
hollow sound, conjured by a presence
stirring the air.
Straining to hear
a muse muttering
your name as if it were
pronounced in the echo
of Nobody.
Painting by John Atkinson Grimshaw (1836-1893), 'A Moonlit Evening' c. 1880 in Public Domain.
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