Sunday, February 25, 2018

Diurnal disbursements


Two night
terrors in a row
and one begins to feel the mixed reality
of day-dreams, what seems
light,
the photosphere,
assembles into bands of time
where body temperature correlates to color
and we are confined to a range,
endlessly scanning.

It seems the sensual burdens never cease,
perpetually sentenced to fixed perception
without the proper nouns, one feels
naked and utterly unequipped to resist
wishes and wherewithals,
comfort zones and one peace of mind.
In our comas, we can only succumb
to this and that-all
that we tell ourselves about infinities.

One often feels a strong momentum,
as if taken
on this ride around the clock, resigned to
eternally count our blessings.
All the nearby ember bodies are following us
and one feels curses, radiant heat, distinctly
a gravitation toward the bonfire sun
where horrors have no dark bodies
in which to hide.

Although, it is never the same as being awake.




Artwork (drawing and watercolor) by Odilon Redon, c. 1903 in[Public domain], via Wikimedia Commons.

Wednesday, February 21, 2018

Currency calculator


I worry when we need milk 
and wonder where the daily bread will come from.

Too many survive famine. 

Child support is over a week late. 
The Department holds the money it collects from others,
on behalf of others, extra days, 
in an interest-bearing account.
The Department makes more money
that way, it adds up in
arrears and years that cannot be spent
growing and splitting heirs.

The college decisions are coming in. 
We all wonder where this will take us. 
We need to pick a meal plan. She will not starve,
she hopes-
they better have good coffee. 

While driving to take the truck in for an unknown repair, 
the sky held up its coolest winter blue,
the air was crisp like minted dollars,
and I could not take my eyes off the sky
while riding home.

It said everything.

And utterly cloudless,
when I spy a shuttlecock of white, like a flash, in contrast to the blues,
I watched this meteoric figure against the broad daylight
falling, fading, falling, 
and finally, disappearing into the sky,
it all sunk in.

Like small talk, no granular attention is paid.
Burned up. I am broke anyway. 
Just like today. This week, I am weaker
than gravity.

Lighter with empty pockets and incinerating
into nothing,
but solid air pumping in and out of the chest
like fire and ice,
all the elements are there and it is enough 
for a poem. 


Photo credit By Clivelindsay at English Wikipedia, 'Comet McNaught with moon setting over the sea' [Public domain], via Wikimedia Commons.

Tuesday, February 20, 2018

Raking in the poetry


The record keepers and magnifiers
emphasized the purpose of poetry.
All of them, some that wear glasses,
some enshrined in plastic name clips.
All paper people
pretended
not just poets read poetry
as if listening was another way.

It was the concept, not the thing itself.
Grasping for a metaphor, clutching it like a baby spoon,
mush, mulch, nutrients, marrow, letting the heaviest bits
sink into oblivion as bullion or aether.
Comfort food. Settling.
Essences do not help with sleep and monotony,
pillows don't help with the blows of day
despite the changing positions or points of you
dealing with it and spitting feathers out.

The poet thinks his poems are the sharpest
because he has cleaved them out of his own
family tree and lay claim to uprooted and unfounded
murky concepts dim lit,
he has the callouses to prove it.

We have been warned about our
rites and rules of the word
which make or break a fine line between
make, made, pane and pain.
It always comes out as a color,
expression of tone that matches
the eye, radiant on the pyre
we warm up to the edges
with enough pacing.

Compliments come with a modest reading fee.
Only we poets read poetry, ideally free
from notoriety and ultimately forgotten.
We needed trees more than prose.
The leaf knows about leaves
from watching the Fall.
and greens in envy of the sun.
Poets lied
in the shadows thrown about, whistling
while they wait.


Painting By Ellen Robbins (1828–1905) [Public domain], via Wikimedia Commons.

Double entendre: 4'33


Your Royal Madame,
Touche
I am a must be madman-I mean mad I am.
This incidence rather a coincidence,
                                           I think not.
It seems to me, it seems to be, and it just seems
an ironic twist of fate-wait-
                                     do I believe in that? Irony? Fate?
This is Shirley Sacrilegious? I’ve said that first name before-
No this is timing. Counting the time with you.
Not in a cage. Not a Cage. Nor Cagian but Timean era,
ergo, time and time again
-reduce-reuse-recycle-
wherein the cycle, rinse, sit and spin.

I met a girl, I met a poem, I meta read a poem
and know-know, know 'em-by heart, by shape,
by sound and better by sin tax, i-ambroken.

It was the eye. The i. Thy.
Universe. No place-like home. 
Always. Life imitates Art. Art imitates Life.
This goes there and that here and this fits and that works
and this is temporary.
And I culled, if that’s the word, took my due 
they said it was-but it sounds so sharp
and severe-the paper reaper is Here!

It is better when the cage is left open,
the books laid down comfortably,
the poems lined up and put to the side,
away, in the marginalia, as if part of the conversation
as if welcome in side,
where silverfish swim
and humans have traveled by sand
in glass hours of solitude.

Well, I just had to tell you-
I had to move the bookshelf in the bedroom.
Not the good one, the one opposite the bathroom.

To access the little door in the wall-not for me-

I think the wall was listening,
Modern Poetry, like water in the walls
falls through the pipes and vocal chords
like metronomes kept me calm.

Scaring sensitive books brittle by neglect,
oh I stirred it up all right! 
Two to six boxes stacked by the front door-
No need to be sad-it means room for more
not so delicious to corrosion.

No, I do not feel the need
to fingerprint them? Plate them. Serve or share them. 
Take something else, copied T's.  
The tribute Retallack retold, paginated for posterity.


The Others-Hah!
Obtuse out of context objects-
subjective-as though there was any other way
but to give those ones away.

The silence set in. Water absorbed. Cage closes in
the dust bunnies-butterflies-not yet-worms with wings.
Yeah, it is poetry answering life, the birds speak

the questions

that Timing is everything,
Those boxed up books are all Free!
Is this irony? Or just population control, Fate of the paper,
vaporous dates with destiny,
I see this not lasting, Dear John.







Art by Charles Emmanuel Biset, Still life with books, letter and tulip (1633–after 1693) [Public domain], via Wikimedia Commons.

Sunday, February 18, 2018

Net wait


A blessing comes with a curse,
wait and good things will appear,
like whale spouts and comet tails bursting forth,
you will see-eventually.
And chances are 
choices awaiting a verb,
like the other side of the coin
what is tossed in the air,
must plummet to its lowest nadir.

We have seen this played out. Likewise,
such sweeping statements, proverbs and prophecies,
do little for everything-in-all-times, 
yet consistently, this movement tends to
strew the smallest fragments more widely 
distributed across the floor and
atop all the lowest planes, building up-

just as the feather duster spreads its wings,
the timepiece propels one to practice 
gathering oneself more
and in doing so, magnetism must assert 
its basic properties are acuter 
than our elemental bodies
behaving and obeying the laws.

Well, we can only collect our thoughts 
and arrange them in an orderly fashion 
so that they may be 
overlooked,
making more room to move around and since 
wisdom was a woman, things, like elimination, 
we tend to find 
liberating in corners.

Everything here, in a sense shows, 
entropy was a mirror image of 
this empty room, piling up with dunes of dust.
While waiting for change,
chaos was creating 
lines in the sand and
when the wind broke in for one last sweep,
there was nothing to weigh any of us down.

The holes served their purpose. 



Image By A Stieglitz, c. 1899 [Public domain], via Wikimedia Commons.


Thursday, February 15, 2018

Scissor Sprinter


This poem is dedicated to Shaun White, who won his third Olympic gold medal in the Men's Half-pipe snowboarding competition February (12) 13, 2018.


While everyone watched frozen under flat light,
the announcers named the tricks as if they had
a secret menu with special combination numbers;
"Double McTwist twelve-sixty, front-side double cork
fourteen-forty, backside one-eighty" and on and off
from -helicopter height, the windows were rolling up,
and up and- they kept saying, it's like
"Running with Scissors",
"Running with Scissors"-

And on the rails,
the blades were dicing ice cubes into flakes
and carving deep lines no body falling
under Newton's law should follow.

As if the white backdrop was not ghastly enough,
the fretted intensity was only further
ratcheted around by the foot-pound, experience
is no receipt and injuries, grand slams, more curdling visions of
gore galore, with winces and
careening through the barrel came this dominant figure
with a thundering force of Nowness
and such intense Presence-
the crowd sensed this-
and like tea-kettles gathering steam the people
whined while he calmly rocks, they all speculate, he breathes
the wind screams, GO-
Now
outside of this high-pitched rapture-
white noise-froth and heartbeat-
he hurls himself aloft into the thin mountain air.
An Olympian finds himself folding and
forged with steel will, armed against all avalanches
gathering doubt,
gravity does not all ways
get her way.
Not today.

He insists his mortal self against the elements,
in hot white floods of force and musculature
tightened to the verge of splintering and fraying
at every fibrous ending,
without terminus, such as manifest dreams
repeat victories, underdogs and hometown hero's-
ending up, and up- upon frozen water afloat
and mindful of sharp edges,

-Suspended-
in the plane

gliding

victorious and humbled,
the competitor maintains his position
needing more blank space to trace his lines,
he finds reams of paper to shred,
and this Scissor Sprinter salivates
gathering the gauze of this paper plane pulp
to soak up the blood of mistake with stars and stripes.

So Sochi seems like destiny.
Challenge accepted.
Regret is erased with White.

Sweeter, this time, his sheer act of execution
in this balancing craft of the one versus self,
trenches a pipe-line between seeing
and being seen, striking gold
and going for gold,
performance and performance,
tomatoes being thrown at you
or being known
as the thrown one
at eighteen, twenty-two and thirty-one.

Overcome,
he has raised the gold bar.

[The Olympian brings waves of joy to quiet homes
on a Tuesday evening in the seaside town of Carlsbad.
The residents run to get the Wednesday paper
whereby, 
front and center, the Golden Boy
brings home the rarest thing of all-
(Real) Good News from Korea!]



Photograph By Sarkavagyan (Own work), 'Winter in Armenia' in [Public domain], via Wikimedia Commons.




Wednesday, February 14, 2018

One and done


A singular point pierces the edifice of air,
a stone ruffles the feathered water in strands
where the wind was whispering aloud
and bodies bending above were
leeched into the one minuscule slit.
Pulses race under this repulsive pulling force,
heat escapes by each breath projecting into liquidity
and bulging beams charge forth in banded arrays
fractured from nothing, All
excited by this culmination
we found ourselves somewhere in there
catching glimpses with eyelids
necks lace this track, our spine compresses,
humidity falls, beads babble over boulders in
broken brooks under black light or water and space
pulled from the mountains sleeve
pinches time, a shroud of silken sky
glistens with age, a blink of life, a volume of light,
reaches its diurnal destination,
recycling motes in elliptical orbits.





Photo By Ingolfson (Self-photographed) [Public domain], via Wikimedia Commons.

Perdue

Yet from far away  you catch someone's eye like a tiny ripple you feel, eventually. It reminds you about touch and the permeable skin wr...