Wednesday, September 30, 2015

I can see why you thought


I was gone
transformed into the shapes of shadows
of a dancing butterfly against the fence slats
of a vampire bat who changed his shift
or the wolf spider watching the broken winged crow
these were once me on the dark side of noon.

I was here-then there's was none
no empty room in the granulated chute of light
for this forsaken passive body
to occupy or entertain
I remain one
you cannot see, the undertow of echo
Your assumptions have found me
displaced.


Image By Ministry of Information Photo Division Photographer [Public domain], via Wikimedia Commons.

Two Folding Positions


Just So-situate
shocking compliment in awe
I juxtapose So-



Image from Tumblr by Alan Garcia 

Friday, September 25, 2015

About It: Up Side Down




                     Know Nothing
                 
              Shows You
        
      Into –It-
  

Reading too much



Image By Muybridge, Eadweard, 1830-1904 [Public domain], via Wikimedia Commons.

Why we bother to bother with Why (a deepity)


Because we are here now
facing each other,
listening to the music
we are submissive-or brave

Because we stand up and speak aloud
to show another view,
we abort our own conception
by consent-or dissent

Because we fret and dodge regret
ruts are dead set, circuits carry currents
direct, a dexterity of pre-determined design
connected by linear contact-or experience

Because stasis ensures us
and the foreseen guarantees us
safety in numbers, with all the fish in the sea
our place is secured in parsimony

Because Things don’t change, instead We rearrange
our conception, our perception-a deception
based on learned History, founded on prophesy
we perverse possibility-or reverse responsibility

Because the incentive is steep
Regret is shallow
Because the chances are scarce
Retribution is the final reward. 

Image of cover publication "The Masses", c. 1916 By E. Higgins [Public domain], via Wikimedia Commons.

Poem inscribed on bottom left corner reads:
Revolution
Anyone can write Revolution-Revolution
is written
By pale young men with the new conven-
tional mind;
Though it causes, indeed, no such havoc 'mid
humankind
As Samson's did when the Philistines were 
smitten.

It is easy to preach-Revolution-Revolution
in pink reviews,
Or flourish a Phrygian cap from the top of a 
steeple;
But if ever it came to an uprising of the people,
How many pale poets would stand in the leaders 
shoes?
-William Rose Benet

The space of my quiet place


I-in this caged space
Sit hidden, beneath bamboo rods overhead
amidst a lush green crowned atria
I volunteer to sit in the birdcage, with the butterflies and song
perched in the open pergola

I-fall into this open space
In my own backyard, behind the garage, now hidden
even further, behind the black holes of my eyelids.
And I feel the sky, it rumbles discontent when a plane
pushes its way through. A crow objects-to something
while a wren gaily chatters to itself and a mockingbird barks back.
The fountain trickles underneath, like a rushing spring
sounding more than it is.
The steady exchange of footsteps coming
crush the grass and shatter the voluminous silence.

I-give in, open up, and see-this space
and flashing bold colors. The filtered sunlight shows
Leaves prancing over the grey slate stones, that try to compete for my gaze.
Bougainvillea pink paper, peeling skin lays
among the spent honeysuckle bottles. Slowly drained,
looking up to the lattice, it’s a vines race to take over this space-
passion fruit, trumpet, creeper and jasmine-
leaves their perfume trail, in the space we mingle, 
cage door always open. 

Wednesday, September 23, 2015

Downstairs Lairs


There are no basements in California
even so, the ground gasps and trembles
panting
in subversive growing pains, like mine
in a Rack

And I attest, above me, there's no rest
while downstairs I have dwelt
digging deeper,
while building up

Below deck, I amble
in underlying
immersion
Fathomless and zoetic

In my dungeon with my dragons
I learn to expire
and practice breathing fire

Stomping and romping around the moon,
only echoes left from the rite of passage
steps ghosts long to hear, in a heartbeat

Up there, herds and hoards stampeding
and suspend on high chords
holding up the roof by
ceiling the cracks

Beneath it all
buried in a netherworld
with the worms and bugs
the cold wet earth blankets
a dry eye in decay

Musty, misty, sodden and steamy
I will be the first to drown
when it all comes down

I reside below, with no where to grow
sown in subterranean.



Image By Vert (Own work) [CC0], via Wikimedia Commons.


Holey Trinity: Lie, Cheat & Steal


Lately
I have heard
Every word (not said)

Calling your bluff
Hasn't happened (yet)
Each day, more regret
And yet-you continue
To think I don't know

Stolen moments, my
Trust taken for a ride, Dead
Ends
Await a new pure white
Little lie (by immaculate Mary's men).



Image of painting by Georges de La Tour [Public domain or Public domain], via Wikimedia Commons. The Cheat with the Ace of Clubs, 1630-1634.

Tres (trace)

Water Today, warm raindrops glass blurs, the blurry glassy, sharp sparkles sugar. Behind Evening, it was good. Leaves all turned into shadow...