Go Fourth

The fire works
while clutching the cool stem
of rose colored glass
gleaning the glaring
moonlight into amber
crystalized tears
petrified
bead

kaleidoscope shaped pins
spin
colors that streak
high, piercing this purple sky
while the clouds bend low
to gather and take in-
side themselves whole
sound waves
to blind and echo
by distortion
and distance

like thunder,
like lightning,
like electricity,
like this short life

as in
sparks
that leave only traces
of sulfur
in a sense

bonded and bound
by this friction
as if it were
a release.


Painting by Thomas Fearnley (1802-1842), A Terrace in Moonlight' c. 1834 , in Public domain.

Point A

Home is where we start from,
Eliot said,
while one is busy making plans,
planted Lennon trees,
as though making a home and getting somewhere,
were lasting-
things are all ending around you.

It is not as if Paradise was the same as Innocence
and yes,
both disappeared,
were sheared from necessity
like baby teeth and training wheels,
and how it hurts worse
when home
and are overfed.

Home is a net,
or a web.

He picks up the guitar again and gives it
another chance
this time, she says, until
his fingers bleed.

The other one drives herself away
and is made stronger
so far
from home,
her hopes await.

They both grow from the 'here'
they call Home,
while I make myself busy
tuning the strings
to help them hear, or find
harmony in their spheres
and recognize the crystalized tone
of their own spin,
at least phonetically
one Here's
it to be, pronounced
Home or Ohm.

Raised from nothing but ashes.


Photo By Paik, Kenneth, 1940-2006, Photographer (NARA record: 8464462) (U.S. National Archives and Records Administration) [Public domain], via Wikimedia Commons.