At first,
I was discriminatory about it;
ripping out only the ground
cover and displaced Kentucky Bluegrass,
careful not to yank the horsetails.
Yet the rake only brushed these down-
these (knot supposed to grow there)
“weeds”.
Well, it may have been irrational,
but I
grabbed the hoe
and took heaving jabs
at just the top layers.
This explains the piles of dirt
just outside the front door.
Besides
all the beetles and spiders,
all the beetles and spiders,
webs and trash, a penny here, some tinsel there,
a brake light piece, first impressions
and never agains, all elements were there
for a dirty job.
Then,
I went in the very back
at the base of the green wall.
at the base of the green wall.
The bamboo reeds sway brezzily,
tall tips tangled within the canopy of
tall tips tangled within the canopy of
avocado trees-whose roots really reside
next door,
next door,
these dying spears bow down
over the pergola top,
over the pergola top,
stiff brown leaves like old fingers play
the poled roof as the xylophone,
and to those-
I take the “loppers”.
I take the “loppers”.
The green waste bin overflows before nine am.
Saturday,
an April in Spring.
The house still in sleep, the birds pass
playing with airwaves, lilting songs and
dramatic swooping screams,
while I sweat, arch back
my back in the strong early sun
bearing down over my shoulder.
bearing down over my shoulder.
This dirty yellow hair
clings matted to my clenched jaw.
clings matted to my clenched jaw.
When he wakes, he says,
it was from my earth moving-
it was from my earth moving-
then looks around at the vast
open spaces, an overhaul, my latest work-
a blending of dirt brown and sky blue,
I offer him a toothless smile, and some
black coffee wearily.
black coffee wearily.
Admiring the pruning skills of an elephant,
he offers-“Couldn’t write?”
“I think I will go back to sweeping
the driveway,” I say.
Painting by János Thorma (1920) in [Public domain], via Wikimedia Commons.
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