Saturday, November 17, 2018

nightmarish


I have come to believe
All poets
must be subjected
to living with an infestation
of cockroaches.

An introduction
or deep reading of Dante
and Dracula has much to teach
about finding ones way
through the dark.

I play my hand
on the Book of Change
with my three lucky pennies;
one, because of Honest Abe,
2, because they contain copper
and lastly, mostly,
they are worth no cash value.

There is a Canto
that smolders into charcoal,
I am drawn to
the source.

The house is bigger,
emptier.
I guess the walls speak
now only in echoes 
and embers.

Some of us will make it out
alive.


Painting by Petrus van Schendel [Public domain].

interesting times


Would we know we have a problem
Despite what we are told
All is well
on its way,
Hell,
like the Universe
no place like
Home

when neighbors disappeared
and people en masse
abandoned former posts,
in hordes
Left
the right
to the pursuit of a
Life without fear
thy neighbor
of footsteps
of spies
and their subjects
and secrets and probing
We would notice,
wouldn't we?

When every person you see
is rich and powerful
who can afford not
to be infamous?

The poor
neighborhood turned over
and emptied
of change
never was
anymore

on any map
you see
there lies
Borders
between inside and out
them and us,
that and this
is not
Real
life...




Photo credit by Carol M. Highsmith [Public domain]. 
Photo description via Wikimedia:"An old jalopy outside an abandoned stone building in the "ghost town," some of which is still occupied and some of which consists of ruins of the Chisos quicksilver-mining company which operated from 1905 into the early 1940s, and the residences of those who worked there. Terlingua, Texas" 

Wishsome


A little bird said:
Change your energy
    (in the situation)

She repeated Hope
in different ways
    indifferent to the tears.

Hold on-Al Anon,

you don't have to do
anything Now.

But it Happens
to be
anyway, the note
I only hear Hope.

Painting by Abraham Busschop, c. 1708 in [Public domain].

Saturday, November 10, 2018

(Re)voltage


One day
it just happened.
          The tides that rose
could not be denied
by
  terrestrials.

Nobody even discussed it
openly
          how they felt
about it,             genuinely,
how they made
          it Stop.

The help?
Thanks,
             but no thanks.
The directions?
listen, don't
           talk to me, show me
what you sorted out
that I must like.

Enough of the misinterpretation
of
Results.

We can no longer be convinced
you were there to
                            Help us All
or recommend a
                           replacement
hip, knee, mate, job,
car, and family or definition
                       for the word
connections.

Don't be shocked
when all has been sifted through the
screens
and we say-
Let's do it the old-fashioned way.


Photo credited By Rob Croes / Anefo [CC0], via Wikimedia Commons.

Two sol's


There is an ordinary old man,
I'm certain you must have seen him,
he walks the coastline casually
every morning
just before sunrise.
He wears a safari hat
which hangs on his back
in case he runs late
and the sun beats him home.
He seems retired.

There is a scruffy old man,
you must have noticed him
walking along the coast highway
every evening,
just before the sun sets down
the light for the night.
He wears different clothes
but has not groomed himself
in decades. I wonder
if he sleeps
or is grateful for rest.


Painting by Ester Almqvist, 'The Sawmill, December sun' c. 1914 in [Public domain], via Wikimedia Commons.


Sunday, November 4, 2018

cardinal points


Death
   Being
as Natural
    as Life
Why
   we made
murder a Sin
             and Nudity
             a profanity
(poverty a crime
wealth a blessing)
All just
because we are afraid

of Reality
Inevitably
I-denity
we live with
Exposure
               made up
with our raw materials
ore
data
and information
       easily eroded and likely
to give way
someday, in a word
too large to lie
eyes upon,
too precise to name
with exactitude and
                         Finality
just As
finis origine pendet.


Artist unknown, c. 1650, Master of the Vanitas Texts [Public domain], via Wikimedia Commons.

Insufferable


Poems do not feel
anything
Yet they are something that says
with words feel me
If only
there was another poetic way
to speak
to emotion
(in order)
to capture, to convey
What was meant
to be left unsaid
                           Silence
                           is full of
                                  This
                           pulsation
                           felt as a compulsion
                           to give way
                           to gravity
For no sound
reason.



Painting by Wada Eisaku, c. 1926 in the Pola Museum of Art [Public domain or Public domain], via Wikimedia Commons.


Half-dozen Mud cakes

Back to wood decks, quarter-size spiders, webs, moss  and creatures stirring in the hollow nights Back to no side-walks and skirting into th...