The Queen ties her rainbows from the ball

I entered the living room on Sunday in the late afternoon
with a basket of soiled laundry and on the floor lay the Queen,
sprawled out in a melancholy pool,
lyrics from her lips left hanging there aloft.

Drained and slightly dazed, she did not notice she had been singing,
her face was painted with dark minerals. Naturally,
she was shocked to see me, her pupils opened even more,
And her cheeks became velvety.

A little surprised to see her this disheveled way,
I asked if she was expecting rain-
teasing her mud faced tribal marks.
She said her body hurt, seriously, she had been dancing all night.
She did not want to break out.
With her toes pointed in my direction, resemblance spreads
like cold air. I am just stretching, she adds,
reaching out and away even more.

Interrupting us came a gentle tap-rapping at the door.
And after so many months of the same still frugal
air, the door began to swell inside its crust.
With a mustered force, she pried open the door,
as if held against her and boldly before her came an unexpected visitor,
A hint of something she mist, it had started to drizzle
and then it began to waterfall.
Her secret words had been heard, the clouds gathered to listen in.
We watched and welcomed this change of skies and days,
hearts and pace, pools of passing light and piles of cotton,
rectangles without edges, these divine Sundays,
spent simply
content in the castle with rain rolling around.
Another week cycles through and she has grown from Princess to Queen.
After all these loads I have carried, I  dutifully reflect the greys I've gathered,
the sun shifts and she thunders through
her bedroom, the walls tremble.
Busy casting rainbows by skipping stones,
she practices powers with her crystal eyes,
rocks, refracting pain into pleasure
from her chest full of gold

knowing she now controls the weather.








Painting by Xavier Mellery, 'The Artists Daughter' c. 1882 in the Museum of Fine Arts, Ghent [Public domain], via Wikimedia Commons.

Selfie-synthesis

Inevitably, they will wonder how we did it
Survived, in a time like this with the stakes so high
and dwelling so low.
None get out alive anyway.
And perhaps these distractions they will think
occupied us, and we were not really living but playing a part
and pretending living and dying went on as usual
but somehow more incredible or ordinary
since we wore out wonder and shocked ourselves
callous and invincible in some ways temporary and just
passing through. None lived, they only carried on.
#iwashere

Since they will be searching and researching for reasons,
answers, motives, fatalities and appendices, it will be concluded
that there was an absence of unity, a zero, and no symmetry or sense
of All or order like will. It was exposure
of holes, leaks, sparks, rust, unraveling, sputtering and still many
looked away but felt the erosion on their tongue.
It was the wearing and tearing of natural light.
This presumption would be right
for the few who went outside the blue boxes
to capture and view larger than a life.
It became too much to write.

#i-magi-nation






Artwork By Herbert G SCHMALZ (1856 - 1935) (Britain) 'Zenobia's last look on Palmyra' (1888) [Public domain], via Wikimedia Commons.

The beaten path

The road is much traveled
and many speculations remain
about the roads not taken.

We have all come upon ourselves
confused, at the apex of options-
(a) or (to) be decisive upon catching the
flicker of a tall Indian paintbrush leaning
like an arrow as a sign to be read,
This Way-a choice is made for us.

We were exploring the Sierra ranges
and wound our way wordlessly
worshiping the execution of a task as
simple as footfalls when sinking into
shade, the unmistakable turbine of water
argued with the rocks somewhere nearby.

And as if made of honey,
we were drawn to the source.
Two humans length
off the path and we became
the main course. Each of us
quickly encased in a thick cloud
of blood-sucking bugs.

We persisted
and swatted and swung
at each other. For why we knew not.
We had seen running water before,
as rivers lead to other rivers before
spilling onto
the same old sandy shores.

Well, we nearly made it.
When the bough broke
the snap of our attention,
like a fishing line, hooked our cheek
on a fallen boulder of brown, a mound
facing its reflection as though right
at home.

The brown bear beat us there.




Painting by Albert Bierstadt, 'Passing storm over the Sierra's' c. 1870 in [Public domain].

Co-habit

Coyotes call out
as my alarm
under the mourning doves
coo who
take shelter and shade themselves
for the sunrise says something
predictably ominous and
October or somber.

Today, together, we all rise,
pecking or rooting our way
to live through the next
far-off sounds
Encased in lives that spin
bodies that stir
the world around
in space and time.

The shadows these worlds cast
are not solid bodies and growth
gives off chemical cues
that like evaporation,
dew always dissipates
into tomorrow,
there and gone,
a scent of something passed.




Photo credit: National Park Service from USA, taken 8/2017 [Public domain].

Imagery

Caught the words like snow
flakes-
Atop a calm pond net-
swallowing crystals.

I see life is almost
like a train ride as we sit
we fixate on this blurred view
and it passes too fast to focus
on a thing or know
how far we have traveled.

This season blurs
the windows
of time
when all changes
feel the same
as the last time.



Painting by Imre Ámos, c. 1939 in [Public domain].

Recital

On a Sunday without sun.
A day of Revelations, 
-without all the Light.
I think of how my elderly mother 
is likely being beaten
down and on 
by her husband...
I think of how the man 
who says he loves me 
is likely cheating
on me and is always down around me...
I think of my adult children 
and how they have struggled with me 
and grown still
suspicious
all the more-
none the less,
I think of all of the sandcastles I have built, 
now perfectly indistinguishable from all 
other failures;
grains, hairs, skin flakes and ashes 
that I have left 
strewn around trying to blend in...
I think I have been told my whole life 
to put it down-
I think I misunderstood.
I wonder how 
I could ever think
thoughts could be read 
like a sermon we share
or the psalms we hold 
in memory. 



Painting by Claude Monet, Camille Monet on a garden bench, c. 1873 in Public Domain. 

Capital T

It was coincidence that
Truth hit the margin so hard
it made the big
T.

The answers were always,
just lying there. True or False.
The truth was filed away,
in the oven,
on ice,
just beyond the horizon,
outside of our reach,
out in front of us and
most visible on our fore-
heads. Indicators of attention
-span.

Granted, little u's
the q's so well,
as if wedded to one another.
Infinitesimally too quantum
to separate
from the microclimate
too minuscule
to divide or conquer
or entitle affectionately
Grand Fallacy.

So the tee's were crossed and
the eyes forgot
where to aim
the sentence.


Painting by Henry Stacy Marks [Public domain], via Wikimedia Commons.