“A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds.” -Percy Bysshe Shelley
Wednesday, September 12, 2018
Mis(s)worded
Since
I couldn't
no-wouldn't
stand the voice
No-noise,
the incessant barrage
of worded white noise,
I wrote poetry
(for constraint).
What does happen when
2 pennies are rubbed together,
a spark
of sense?
The sound that silence plays
while filling in the gaps
has become louder the older
I get, as if I get
something.
Who is the I
that claims to Be not I-
the poet
The words with an alibi
from elsewhere
saw how small and narrow
the mark Itself made, and made
more width and depth
to shroud the naked nouns.
When I went
quiet
you covered your ears.
My two eyes narrowed
even more,
the poem burst and dissipated
in front of us, like memory
maligned
for lack of metaphor
or something nice
to be noted.
Image credited by Edgar Degas [Public domain], via Wikimedia Commons.
Title: Louise Halévy Reading to Degas, c.1895
Time's up
The two women acted tough,
forgetting their lady-like roles,
trying to win a popularity contest
without a prize,
and as petty little ladies often do,
they threw a-round the word "Best"
like a dodgeball.
But women can jump in heels,
can see behind and see through
costumes.
Make-up is removable.
****************************
The gentleman was gifted but
he knew the charges were coming,
soon. He would owe more than he had.
Hands on the trigger.
His desk is packed up in a box
that sits dutifully like a dog
by his dull loafers. Emails erased,
trash emptied, a final scan a-round
a corner window office
formerly occupied by a-round peg
seeming to be a dull square. Any body
could hold his chair. Professional,
calculating and an all a-round good guy
with a giant fear of the female,
her articulation, his worst case
just dis-missed due to conflicting
interests in gender roles and their
unjust entitlement or oppression-
he wouldn't say.
*************************
The young boss man is full of vim,
vigor, rigor and righteousness.
Bless his greedy hands clutching the reins
of his tall steed. He tramples the herd,
whipping them into his desired geometry.
Only now he found,
there was nobody a-round to
blame for missed fortunes, for the gaping
holes, balls rolling, for getting in his way.
Elders eyed another path,
an alternate pace, a safe place to
participate without giving away
experience.
*******************
The company decided to set the price
as high as the bar
could be raised,
so the product always hovered
just out of reach.
The company did not discount
the value of free advertising,
disregarding all costs.
****************
The free world leader
traded his hefty income
for a chance to control
the immeasurable,
to push the ethereal agenda,
to take a title already under copy-
right, to hear himself proclaim,
denounce, hear his own voice
and believe the words
were enough to fill empty bellies
not just heads.
The leader chases his tail
and demands we follow a-long
the lines
what comes a-round
goes on to repeat itself,
itself, the same as
his 'huge' following.
***********
Insurance, like promises
does not provide tangible compensation
unless a claim has been made
on total losses.
We must be living
to learn.
The finest print
excludes all the
preceding liabilities.
******
A reaction is a result,
the equivalent of
a resolution.
***
The movement
already occurred.
**
We just witnessed-
A passive act.
*
Monday, September 10, 2018
In-dividuality
These few
need to be near me.
Draw themselves into the fold in-
creasing the density of space it-
self-personal bubble, but
flat out refuse to be
touched
There. Too in-
timate to be considered
delicately. Anywhere
these bubbles abut,
list and lean in-
to one another, there is
a bursting of the seams.
Painting by Peder Severin Krøyer, c. 1881 in [Public domain], via Wikimedia Commons.
Sunday, September 9, 2018
All Five's
Magnetic minute
reconnected to the time
of track, I am back.
Image credit by National Archives and Records Administration of William Duncan c. 1916-17 [Public domain], via Wikimedia Commons.
Friday, September 7, 2018
Target practice
One of the most helpful things I have learned
(about myself) is my tendency to
Jump the Gun-
But I can't stand the thought of standing still
while others take aim
and bullets fly.
Image By Ronald N. Keam (awm.gov.au) Austrailian Women's Army Service, Queensland c. 1942 in [Public domain], via Wikimedia Commons.
Lock jaw
Her too young jaw locks
And she becomes her father
In this tic, to clench and wrestle
Her heavy breathing seems
Reminiscent of the little girl
Not letting go
Not letting go
Of her bottle
For one second
Chance to make it without…
She gags at the mention
Of breakfast
Quite suddenly,
She says she is repulsed
And it may be
Because it reminds her
Of those café's and
Scattered mornings
Here and there
With her distant father.
Here and there
With her distant father.
He makes her stomach churn
She says, she thinks she never needs
Breakfast again
She says, she thinks she never needs
Breakfast again
It wasn't me, it wasn't
Him, it was the way it started
To get tough
To hold on
To promises
That are hard to swallow.
She learned about nourishment,
and its ultimate
End.
Him, it was the way it started
To get tough
To hold on
To promises
That are hard to swallow.
She learned about nourishment,
and its ultimate
End.
Nurture does not provide enough
For closed lips. Empty rooms,
Empty calories, empty pockets
Never kept us alive.
She is learning that it is more
Fruitful to say, than for
Him to hear.
Standing here and listening
Through the cracks,
I see narrow bands of light seeping out.
Empty calories, empty pockets
Never kept us alive.
She is learning that it is more
Fruitful to say, than for
Him to hear.
Standing here and listening
Through the cracks,
I see narrow bands of light seeping out.
Forgiveness will be the only key
That opens her too young lockjaw
Allowing the Light its fitting
Liberty.
Painting by Albert Edelfelt, 'At the door' 1901 in [Public domain], via Wikimedia Commons.
Allowing the Light its fitting
Liberty.
Painting by Albert Edelfelt, 'At the door' 1901 in [Public domain], via Wikimedia Commons.
Thursday, September 6, 2018
Mann kind
“The diaries of opium-eaters record how, during the brief period of ecstasy, the drugged person’s dreams have a temporal scope of ten, thirty, sometimes sixty years or even surpass all limits of man’s ability to experience time-dreams, that is, with images thronging past so swiftly that, as one hashish-smoker puts it, the intoxicated user’s brain seems “to have had something removed, like the mainspring from a watch.”
-Thomas Mann (The Magic Mountain)
Should I have sweat through those provocative dreams
Since time is running out
And shall I have watched, disturbed and overcome with infatuation,
Pleasure, intent on the scene, all its folded lines hung out,
The mosaic scene, the spackled tiles of moments to keep
Float over the surface of settled matters.
Transience penetrates us to move on and on.
This minuscule thought that writhes its way under
Eyelids-between us, selves. We are
Something small, private, intrusive, edgy and loose.
The Splinter severed from the smooth grain
Pierces its way deeper into our softness,
past the seventh gate, writhing in quicksand
past the seventh gate, writhing in quicksand
Only to break off the relationship,
Leaving a white fleshy hole with dead skin
light floods inside singing delicate motors
light floods inside singing delicate motors
Before it can draw an arc, or a
furrow atop the brow with vapor and sweat
and feel the tickle from
and feel the tickle from
blood running down wrists and pouring out nostrils.
Resilience needs rest and a sense, a little air and darkness,
solitude in a moment to hold on despite the vertiginous spin
We are in this together, that you remember
solitude in a moment to hold on despite the vertiginous spin
We are in this together, that you remember
That this horrific nightmare
Has occurred to me before, many times, before
I woke.
Painting by Ivan Aivazovsky, 'Pushkin at Ai-Petri during sunrise' 1899 in [Public domain], via Wikimedia Commons.
Painting by Ivan Aivazovsky, 'Pushkin at Ai-Petri during sunrise' 1899 in [Public domain], via Wikimedia Commons.
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